The Celtic MP3s Music Magazine is a free monthly Celtic music magazine featuring free music downloads of Celtic, Scottish, Irish music from around the world. Here, you will find free music downloads from independent Celtic artists. Some MP3s are time sensitive. So download them now. All of the latest MP3s are available for at least a month. As always, if enjoy the music, please help the artist out and buy their CD. Serving Celtic music fans since 2000!
Don't just download.
Support your favorite Celtic music groups. Buy Celtic music CDs.
Review: "A Thousand Curses Upon Love" by Jennifer Licko Shelton
Jennifer Licko Shelton has a confidence and a joy about her that shines through in her vocals. This latest effort, "A Thousand Curses Upon Love" is her fifth CD, and you can just feel that this lady is in love with all things Celtic. An accomplished musician in her own right, Jennifer plays the piano, guitar, and bodhran, but is in her element when she sings. You will almost be able to picture the lyrics as you listen to her sing.
Both Scottish and Irish influences reign here, and there is a nice mixture of songs on the album. You can tell that a lot of thought was put into the arrangements and placement of each tune. The result is a CD that is both polished and enjoyable. Favorites here include "Mile Marphbhaisg Air A'Ghaol," the title track, which actually is a 'waulking' song from the West Highlands of Scotland, and track 9, "The Sea" for its mood.
You can't help but feel good listening to this woman's voice--her joy is infectious. If you need a lift but aren't looking for anything too punchy, this is perfect music to soothe the blues. Easy to listen to, lighthearted and well put together.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This dreamy CD is perfect for those who are fans of Enya or that particular style of music. Need to relax or drift away on daydreams? Put this on--it will transform the dreary, regular world into one of fantasy and possibility.
Gill's amazing voice is well known as that of the lead female singer in Riverdance (U.S. and London) and she also sang with Secret Garden. She has had vocal training, and it is evident--she is undoubtedly the master of her voice. There are no sharp edges to it; she's all flow.
"Whispers" is a very appropriate word to place in the title of the CD, as her gentleness is a defining characteristic of the vocals here. Quiet harp, easy harmonies and other appropriate accompaniment serve to fill the rest of the album and make it quite a lovely grouping of tunes. My personal favorite is track 4, "Winter, Fire and Snow," as it has an emotional pull that is undeniable--a wistful, sweet tone.
Don't miss this remarkable CD. Treat yourself to the voice of a true artist and float away for a while...
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Ahh. An angelic voice. Pretty music. This is a lovely CD. Ms. Talbot is part lounge singer and part ingenue--and she can charm anyone who hears her sing. The soothing vocals make this such a wonderful listen. Tracks like "Invisible" and "Everything" convinced me that this is a woman and not a girl, yet the sound of her voice is so sweet that it is like listening to pure youth.
The CD doesn't scream out as hard-core, energetic Celtic, but Talbot grew up in Co. Kildare and if you're paying attention, you'll notice things such as track 6, which is a traditional Scottish ballad. As a matter-of-fact, ballads seem to be her specialty; at least as far as I'm concerned. The other songs were good as well, but she is at her best when the vulnerable in her is presented. I love that about her music--it touches you.
You'll never mistake this lady for anyone else either. I tried to think of someone who has a voice like she does and just couldn't find the right blend of people to describe it. You'll just have to see for yourself. Be sure and give track 5 a listen--it's a cover of Tom Waits' "Time" that is especially touching.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This band refers to themselves as, "cutting-edge Celtic" and it is an appropriate reference. Let me ask you this--do you love bagpipes? If your answer is 'yes' and you are a fan of the unique spin on things, you should give this CD a listen. There are all kinds of surprises musically. You'll hear rock, alternative, groove, pop, African and world beat influences, among others. This album explores possibilities.
World famous piper Eric Rigler is featured here and there is nothing quite like someone who plays the instrument at his level. It gives them the ability to stretch beyond the expected and give new direction to the Celtic sound. This is definitely done on this album, and the multi directional influences take the songs to interesting places. It sort of reminds me of jazz, with its experimentation.
Fans of tradition may find this too scattered for their tastes, but those who enjoy a good spin on things will lap it right up. It is very different. I'd really like to see this live and with the band just going for it. There's a lot of talent here, and the musicians aren't afraid to take chances with their sounds and songs.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Irish, Scottish & Cape Breton traditional music is all present and accounted for on this album. With just four members, this small band from Milwaukee Wisconsin manages to really crank out the sound. Lovers of the fiddle will swoon for this CD, as there is plenty to go 'round. Two of the band members play it--and play it darn well!
The thing I enjoyed most about this album was its complexity. Sometimes it was the vocals that were tongue-twisting, while other times the music itself raced and tumbled around madly. Energy was everywhere! Cue up tracks such as "Tic 'O Tico" and "Sleepy Toon" and you will see what I'm talking about here. Fiddle lovers, go straight to track number 12 and press play.
The band left a lot of fun in the mix, and it pays off in a really enjoyable effort. If you are looking for a power-packed bunch of songs that will get you moving and inspired on a soggy, gloomy day, this is the one to reach for. I'll be saving it to get me going when I need a little push. It's better than coffee! Seriously, it is well-played and enjoyable; and will suit nearly any Celtic music lover's taste.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Right from the start you can tell this is going to be a special CD. The first track on the album lays the groundwork and gives a taste of what The Bringers are all about. Sweet Celtic music peals forth - but there's more...
The sounds of the didgeridoo are here on the CD as well, and the arrangements really do a nice job of blending World and Celtic sounds for a unique and exciting album. Australian is not the only other influence you'll hear either; listen for Slavic and tribal underpinnings as well. It's a smart mix that works.
Listen for good 'ol jaunty group songs like "Fire Down Below," as well as melodic tracks that really show off the skill of the musicians such as both The Kiss Set and the Corkscrew Set. Somehow the didgeridoo fits very naturally into the mix, probably a factor of its not taking center stage all the time. It rests instead behind the fiddle and other instruments, content to create interest rather than steal the spotlight. Nice.
There's a good range of tunes here, ranging from energetic--The Bringers signature style--to pretty. The "World Celtic" label fits this band well, and you won't be sorry if you give this band a listen.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This CD is a departure from the norm. Jennifer Johnson has a very different "folk" flavor to her music that separates her a bit from other Celtic-style albums. Although you will find traditional instruments and influences here, it doesn't really anchor the tracks; it gives them additional breadth.
The lyrics are thoughtful and many of the songs are inspired by things that touched or otherwise moved her in some way. Johnson has compiled a nice mix of songs that she penned herself and other, more traditional work here. Even so, she brings her own stamp to the traditional tracks and makes them her own.
Johnson's voice has a very interesting, almost unsteady quality (almost), which amps up the impact of the vocals. It is as if she is filled with emotion to the point of it spilling over as she sings. The low whistle is a terrific addition on some tracks, blending very well with the songs that it appears in. Those who enjoy emotional, heartfelt, folk-style music will find this CD delivers quite well.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Artist: Cliudan Album: Anymore Year produced: 2008
This is not the first album by Cliudan, and you can tell. There's a solid sound here, even though some experimentation takes place from time to time. The sound, a nice combination of traditional and progressive, never loses the influence of Celtic sound; drawing on both Irish and Scottish music for inspiration and direction.
Easy acoustics and friendly vocals make this an enjoyable CD to listen to. Nothing so heavy it will take you down, but enough thoughtfulness to make you reflect a little here and there. The band members cite a myriad of different musical influences as their muses, but the sound they deliver is all their own. It's nothing quite like other music I have heard, which is a refreshing change.
I particularly liked the last track, "Johnny Don't Go," which has a drive and feel to it that pulses and pushes it along quite nicely. The band really goes with the flow, which makes it almost feel like you are hearing live music--but with no crowd to interfere with the sounds. All in all, the sounds I heard here were both unexpected--and appreciated!
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This band needs no introduction for most serious fans of Celtic music--they've been around for a while and have carved out quite a nice reputation for themselves. Interestingly, they are from the United States, but have developed a following beyond US borders. The band headlines at many of the major Celtic festivals, and has only gotten more interesting since their debut in 1996.
This album, "For Love And Laughter," delivers the band's own particular brand of Celtic music. The combination of stellar musicianship and sweet, gentle vocals is a good one. There are only top-notch players here, as is evidenced by the precision play you will hear when things speed up and really get moving. The skill is also reflected by the individual players--each of which has a serious reputation in the industry all on their own. When they all come together--there is passion.
With each new album this band continues to push themselves a bit more. This CD is another example of what can happen when a group doesn't just sit back and rest on their previous efforts. Moving forward and moving expertly, Solas keeps up the pace and gives their listeners something to delight in here.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This is truly a wonderful compilation of songs from Ciara Considine. You can tell that this woman's entire life has been steeped in music. She has formal training in piano and flute, and has studied music at the college level as well. As her love for Irish folk music grew, Considine taught herself the harp, Celtic lyre, tin whistle and Irish flute, making her an extremely well-rounded musician. We all know that training does not necessarily an artist make, but in this case, it helped form the depth and breadth of the music you hear.
Considine's voice is without a doubt one of the most interesting I've ever heard. She has a rich, full sound, and is able to convey both emotion and energy through her vocals. On tracks like "She Moved Through The Fair," her voice takes on an ethereal quality, adding yet another dimension to the song. Each track is expertly crafted and the arrangements are fresh and interesting. The real gem of the album, however, is Considine's voice, used as instrument; both blended and contrasted with the music, depending on what is called for. The music left me feeling satisfied--much like a wonderful dinner with all the trimmings.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Hooray! Highland rock and roll...done very well! There's nothing quite like the combination of this type of sound with bagpipes firing and powerful vocals. This is an album you explore, not just listen to. There are many layers to discover.
Right off the bat the CD hits hard, with "Morning Dew," pipes sounding off, vocals screaming out--a real show-stopper. But this band isn't all force and flash. Some tracks deliver a more subtle mood, such as track 8, "Burning Circles Lament" which experiments around with sound by adding the didgeridoo to the mix for more of a dreamy offering. And you just can't go wrong with their version of Johnny Cash's "Ring of Fire" or their cover of "Wish You Were Here" by Pink Floyd.
There is a lot of music here, and while the CD may have quite a bit to offer, it is never dull. I really enjoyed the different feel of this effort and count it among the more unique albums I've seen in the genre. It attempts a lot--and succeeds in giving listeners something totally different.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This CD was such a refreshing surprise! Those who love a punk influence in their Celtic music should be delighted with The Mighty Regis--they do it really, really well. If you can't get enough of The Pogues, Dropkick Murphys or Flogging Molly, try this band on for size--they don't disappoint! The band started out in Ireland and then came to the United States, performing at--where else--Molly Malone's in Los Angeles. The rest, as they say, is history.
With tunes like "Black Shamrock" and "Real Deal Irish," you'll get even more than you bargained for here. Just check out track 8 if you don't believe me, "Me Mother Became A Werewolf"--need I say more? You don't even have to hear that song to get these guys! They turn a clever phrase easily and the music is served up with style and energy; the only way to do Irish punk music. This is the type of sound that demands the band be "on" at all times. If there is a lack of driving sound--it shows. You won't ever catch these guys in a lull.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
If I say the words "Firefly" or "Serenity" to you, does it mean something special? If you are a cult classic follower, you'll immediately know what this CD is like; or at least want to. If not, let me tell you a bit about it...
Firefly was a science fiction show that got wildly popular, despite the fact that it had a short life on the screen. The many fans have developed a bond and this CD is music that was inspired by the show. Instrumentation was chosen and arranged for its diversity--to reflect the wide range of characters that graced the screen during its brief run.
All this aside, it is a fine album--even if you have never heard of Firefly or any of the related buzz that it has generated. The music is top notch and very enjoyable, although a bit hard to classify definitively. There are modern folk elements as well as Celtic flavor, but the underlying current that is ever present is almost dreamy and wistful. It makes for a very interesting CD, and one with wide appeal. There are many tracks, each with their own distinct stamp, and I have to say that there wasn't one I didn't like.
So whether you are a fan of the show or just someone interested in checking out some really good music--this CD is an excellent choice. Indulge yourself!
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Traditional Irish music from a band in Cleaveland, Ohio--and a LOT of it too! This CD not only delivers a wide range of songs, but it doesn't skimp on length or number of tracks either. Pitch The Peat was formed in 1998 and this was their debut CD.
Songs such as "The Stone Hills Of Clare" show interesting arrangement by doing things such as pairing a tender female voice with a simple, almost tentative musical background. The effect creates a mood that is very delicate. These "match ups" seem to continue throughout the album, and you can tell that everything was done and selected with thought and care. The word "crafted" comes to mind; truly artistic. Always the amount of music is just right--never overwhelming.
Don't take that to mean that there are no tracks here that highlight musical ability, however--you'll find that too. Check out "Hartigan's Fancy" or "Ormond Sound" if you'd like some proof! The flute is especially engaging on some of the tracks on the album, and it is willowy in a way that sets it apart from other players I've heard; in a good way. In fact, all the musicians are outstanding. If you want a good traditional CD that packs a lot of songs into an album and a lot of effort into their work, this is a great choice--there is plenty here to keep you ears busy--and you toes tappin'!
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
What a fun album title--and you'll get some fun and fancy on the CD as well as a tug on the heartstrings too. Hawke is Rick Morrow; one of the Bedlam Bards, so this is far from his first foray into the musical sphere. His unique voice is both rough and full at the same time, and is sometimes paired here with a soft, feminine voice that whispers in the background along with him. It's a nice mix that isn't overdone.
On this CD you'll find Hawke's version of "The Unicorn," and "Lucky Man" along with 10 other songs; all of which are chock full of emotion of one sort or another. That is the thing that stays with you; despite the fact that the music and vocals are good. You feel the songs. I would say that this is something many bands shoot for and fall short on. Hawke has got that down.
Morrow is no stranger to the world of making music. He has collaborated on many other efforts prior to releasing "Out Of The Nest," including the popular "On The Drift" songs that were inspired by Firefly and Serenity. This is a little window into the background and history that came before this current effort, and helps to explain the passion with which Morrow creates his songs. Have a listen and see what I mean!
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Hmmm. This is a different CD! I love the unexpected if done well and this effort certainly qualifies. Damanta is an Irish-Canadian band that weaves together masterful storytelling with alt-rock style while still maintaining their Celtic influence. I've heard a Jethro Tull comparison which I can totally relate to--but the sound has more of a pulse and some serious style. Nice!
The second track, "The Drunken Priests of Donegal" is fantastic, as is the fourth track on the CD, "Rambles at Night". Both have a great energy and the music is terrific as well. If you are looking for traditional Irish fare, this music is a little bit different than that. But if you are open to a bit more mood and exploration, this is an excellent pick to push the boundaries a bit with.
I adore the vocalist--his delivery is perfect and his voice is truly interesting. The whole thing really comes together; vocals with great music and thoughtful subject matter. You haven't heard this stuff before; yet it seems familiar; a great blend of styles and sounds. It has heart and soul, yet gives the nod to the past that it so deserves. Difficult to describe, yet easy to listen to, this is a CD with many layers that you can appreciate again and again.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This is simple, beautiful music. Traditional sounds of both Scottish and Irish music with a dash of other things for interest makes this CD a good investment for those looking for a nice mixture of tunes that doesn't get dull. The addition of "Appalachian" in their name helps to explain the fact that there are other influences going on here; but they don't stray too far out either. The CD has solid appeal for those who are fans of Celtic music.
I'm a big fan of harmony that is done well and this album definitely qualifies. Check out "Capernaum" for a stellar example of what I'm talking about. Smooth as it gets. It's a cover from the Tannahill Weaver's Capernaum album that is terrific. I love to see a cover done well! Too often you wonder why the band bothered--but not in this case.
Some unique arrangements, original work and a tight, practiced sound help to set this band apart from the ordinary. The whole CD was well thought out, as there is the perfect mix of sounds and songs here. I can't say that I have a favorite song, but I can't say there was one I didn't like. This is a keeper that I'll listen to over and over again...
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Irish pop has to have a good vibe to grab me, and this CD qualifies. Lead vocalist, Kathleen Fee, has a tremendous, clear voice that rings out as if she has been singing since birth. Beautiful. There is an almost country-western feel to her vocals. She also wrote some of the songs on the album, and shows definite promise as a writer as the lyrics hit well.
Let there be no mistake though; if Fee is the heart of the band, it can't do without the other parts...the band that backs her is tight and ready to go, go, go. There are some championship-rated players here and it shows. Most tracks have a good, punchy rhythm to them.
One thing I enjoyed about this CD is that the songs are about something. Without getting too heady or deep, the lyrics on many of the tracks smack of real life and real truths that we can all relate to. I absolutely love it when this works well on an album--it doesn't try too hard, but it does affect you. The rock/pop feel is not too overly done either; the Celtic comes through and the songs are immensely listenable. Oh--and great fiddle work and energy on track 6, "Chapel Bells".
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Anne Roos is an amazing harpist and this CD showcases her talents beautifully. A small musical group joins her on this effort, which highlights songs about woodland creatures such as fairies, nymphs and trolls. A 31 page hardcover book comes with the CD and it talks about various folk history and legends--a nice touch to a well thought out musical effort.
The group provides a lovely sound. CDs that are put forth only showcasing harp music can be nice, but it is equally wonderful to have some additional accompaniment; and it expands the amount of people that it will appeal to as well.
Roos' harp music is effortless. Gliding and sliding over notes, she shows her skill time and again, but this isn't "gaudy" music. It's simple, pretty fare. At 18 tracks, there are quite a few songs to enjoy here, each offering its own mood and feel. The gentleness of the harp is underscored in some pieces, the yearning almost palpable. If you love the instrument, you have to listen to this and see what can be done with the various arrangements. If you aren't a huge fan of the harp, there are still plenty of tracks here that you can enjoy.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This CD is features a "good bunch 'o guys" doing their thing and letting you in on the fun while they are playing. Kilrush is a group of gentlemen who enjoy what they do when they get together and make music; it shows. Something about them has the fun vibe of the Kingston Trio--for those of you who have heard of that group before. A camaraderie like that isn't easy to come by, but it is here on the CD in each and every track. This is the band's second CD, and they dedicated it to their fathers.
The album has a traditional feel to it and it is a good, solid length at ten tracks--just enough to get a feel for the band's style and enjoy their music. The star of the show has to be track 9, "She Moves Through The Fair/Wind That Shakes The Barley". This is a song that the band has been playing and refining since they first came together, and it shows. There is a pulse and energy to the song that makes it a standout track here. Everything is capped off nicely by the last track as well, a mazurka--"Sonny's Mazurka," to be more specific. The mazurka was supposed to have been on CD number one, but makes its debut on this one instead.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Man--I was hoping this was going to be as good as it is! Fiddlers 3 is the equivalent of an energy drink; musical-style. I have to say, I was blown away by this CD. Listened to it twice in a row.
This album is a great example of why people love Celtic music. You can't sit still; you want to tap, clap and stomp your feet while listening. Motivational. Spectacular. It is impossible to listen to this and be in a bad mood. Don't let the fiddlers take all the credit either--the percussion and accordion have their position solidly carved out as well. You need everyone working together to get this kind of sound; and they do.
Most of the tunes are extremely upbeat fare, but the easier tracks are still mesmerizing and well placed. Bagpipes and fiddle are the two instruments that are in my blood as an Irish girl. You feel them. So it is with this band--you feel them. The pacing is just right. I won't be able to describe the music as well as it should be described. You should just give them a listen and see for yourself. I said it before and it bears repeating: this album is a great example of why people love Celtic music. I have to point out track 9, "Jerusalem Ridge," which was my favorite--the sounds were a bit unexpected which made it really interesting!
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Marc Gunn & The Dubliners' Tabby Cats are at it again with "Whiskers In The Jar"! A CD full of Irish and Scottish songs that are changed around to be about cats, this is a fun listen that will have you rolling with laughter. Gunn's wit is sharp and he takes every opportunity to make the songs interesting as well as amusing. The music is great; energetic when it should be and mellow when needed. Personally, I am a big fan of Gunn's singing voice--there is an energy behind it that just makes you feel good. There is never a doubt that he loves what he is doing; it shines through. Some people have charisma even just in sound.
So what have we here on this compilation of songs? I won't give it all away but I'll hit some highlights. The CD starts off with a bang with "What Shall We Do With A Catnipped Kitty" - a parody of "Drunken Sailor". I can practically guarantee that you will be singing this song all day it is so catchy! Another favorite is the title track, which is a parody of "Whiskey In The Jar". By far my favorite though is the lament sung through "Danny Boy" where Gunn good-naturedly complains about how his cat just won't let him get enough sleep--hilarious! The CD reports in on many "truisms" that cat lovers everywhere can relate to, and its a well-produced, well executed piece of work. A nice follow up to his previous effort, "Irish Drinking Songs For Cat Lovers". Good stuff!
A couple months ago, I received an email from Sarah McUmber-House asking if I would like to review her new book "Nemofotmad Chord Book, Vol. 1: Chords for More than 200 Tunes in the Celtic & Old-Time Traditions". Seeing as how I play the autoharp, a primarily chordal instrument, I was mesmerized by concept and highly skeptical, but my fascination was such that I had to see it.
Let's jump right to it. The book is exactly as it is says. It is a chord book. There are no dots on lines like in sheet music. Instead, you have square blocks with a letter, representing the chord, in it. It looks kinda weird. It looks exceedingly simple. Almost boringly simple. At the top is the tune names in alphabetical order and a chord and the style of tune: Reel, Jig, Rag, Polka, Set Dance, Hornpipe, etc..
After receiving it, I lost interest and looked for someone else to review the book. Then the day of reckoning came. I had a show and brought in a fiddler to play with. We needed a tune at the end of a song. He picked "Soldier's Joy". On a whim, I thought, "I wonder if it's in the book." I opened it up. There was the song. There were the chords. I had no trouble playing along to the tune. It was exactly as the the title named it, and it turns out it was PERFECT for what I needed, a quick easy reference for playing chords to Irish tunes.
Included in the book is an easy Key/Chord Transposition Chart for those instrumentalists who want to play in different keys, a nice description of the different types of tunes and how to recognize them, and some blank pages at the end to annotate your own tunes.
All in all, if you are a chord player and need a quick and easy guide, this is the book for you. I highly recommend it for anyone wanting to play Irish tunes, and I can't wait Volume 2 to appear. What a great idea! Thanks Sarah!
Marc Gunn is a musician and podcaster specializing in the Celtic culture of music. He has helped hundreds of tens of 1000s of people around the world connect with their Celtic heritage through his Celtic MP3s Music Magazine, Irish & Celtic Music Podcast, Song Henge, and his unique style of Celtic and folk music on the autoharp. Now you can download "FREE Celtic MP3s" and podcasts when you visit his website and subscribe to his free newsletter at www.marcgunn.com.
The title of this CD piqued my interest and I really wasn't quite sure what to expect when I pressed play. For the uninitiated, Turlough O'Carolan was an Irish Bard who was blinded by smallpox and lived from 1620 to 1738. He was known for his harp music, but in truth, became well known for his composition more than his ability to play. This is what has been highlighted here on this CD, although it by no means limits iteslf to the harp.
Thomas Patrick Kenny chooses instead to use a variety of instruments to tip his hat in tribute to the great artist, and does so with style. When giving a tribute, there is always the concern that the musical artist's agenda will either overpower or overshadow the person (or people) that are being honored. This is not the case on this album, and one can tell that Kenny is truly trying to represent O'Carolan here.
It is a bit unusual that Kenny has decided to give an instrumental tribute, as O'Carolan was also known for his lyrics and poetry. It would be interesting to know what that selection was made. That said, it does not diminish the quality of the CD in any way. In fact, it may even enhance it a bit, since one gets to concentrate on the music alone.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This is superterrific--and then some! The High Kings deliver right out of the box with their first track, "Paddy's Green Shamrock Shore," which has fantastic harmonies and a big, yet gentle sound. The delivery on the tunes here is so heartfelt that it feels like you are watching them sing these songs live in your living room along with many friends. This is traditional music at its best--interpreted sweetly and with individual flair that stays true to the ideas and ideals that make it traditional.
The vocals really make this CD shine--every single voice is clear and expertly used. Harmonies abound. Galway To Graceland, track 3, is an interesting song with only vocals to communicate the mood. It works wonderfully and is a true masterpiece of sound and feeling mixed together the way they should be.
Track 5, The Rocky Road To Dublin, is a tongue twister of a tune that makes you want to listen again and again until you hear it all--or memorize it yourself--what a ride! These guys can't contain their energy; and that's a good thing. A live track caps off the album--a great choice and tasty finish to this delicious offering. It's rare I get super excited about a CD like I did with this one. It's one that merits several listens in a row, really. It gets better every time.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Starting off with a "barbershop quartet-like" intro to their title track, "The Whiskey Never Lies," Sligo Rags then launches in to an energetic (and fantastic) song; the perfect attention grabber for this CD. I wasn't sure what to expect next. And this album is like that...by track 3 I was intrigued and looking forward to each new sound/song to see what fresh offering was coming down the pipe...
There is an ease to the musicianship here that is refreshing. It takes expert players to make things sound so fluid. Blending Celtic, folk, bluegrass and a tiny bit of rock/funk stylings, this band has a unique sound to contribute to listeners. The mixture of humour and traditional sounds with fresh arrangements and musical virtuosity means a feast for the ears. The folk/bluegrass influence assures that the tunes are never too jarring, but the Celtic pull means that they are also energetic or infused with feeling.
The dedication to their craft shines through, and you can tell that they put a lot of effort into this CD. They have truly put their best out there for all to see; and it is pretty dang great. Have a listen and enjoy...
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
This CD is quite enjoyable and features contemporary Celtic folk music from a band that has been around since 1997. The group sounds like they have worked at refining a really cohesive and pleasing sound over the years. You'll hear familiar instruments such as the flute, tin whistle and bodhran here, and the arrangements are well thought out.
The real magic of this CD is that the band understands that sometimes the instruments can sing as well--and they make some room to let that happen. The addition of non-traditional instruments alongside the Celtic sounds make for an interesting diversion as well. When the hammered dulcimer makes an appearance in an otherwise highly traditional song it makes one stand up and take notice.
The Ohio band is generous with thirteen tracks on the CD and each offers something a little bit different to the listener. The sheer amount of instruments that are played by band members mean that you never quite know which ones will be popping up on a particular track; which keeps things from getting dull. My personal fave is track 12, "A Walk In The Park," which manages to have a pretty even mix of Celtic and folk stylings and a nice, full sound with an unexpected vignette featuring the instruments in all their finery.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at CatherineLTully.com.
Just so you know--this is the "electric" version of The Duncan McFarlane Band. There is also an acoustic version.
This side of the band's dual nature delivers folk-rock with a bite. The rock is present and accounted for on these tracks, with strong guitar and a heavy sound that is tempered by the vocals and moments of lighter fare. This is a combination that is difficult to do well, but the band succeeds--and then some.
You can't help but get into the sound of this music. It rouses your interest and maintains it through the stellar musicianship and slightly offbeat arrangments. It's a match you wouldn't expect to work that actually blows you away with its full, rich sound.
Don't think that it is screaming rock though; the band is just as faithful to its folk roots. They have put a stamp on their own brand of music and have a distinct style that not only sets them apart but is what makes them so enjoyable. They use the energy and drive of rock and marry it with the sincerity and easy arrangements of folk for flow. This works.
The CD leaves me wanting to see the band in person--I'm sure they would be even more impressive.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at http://www.catherineltully.com/.
Artist: The Gentlemen Album: "Greatest Hits" Year produced: 2007
This is some of the best Celtic punk I have ever heard. Ever.
These West Virginia boys mix Irish folk and punk in a stew that is a delicious, delectable cocktail or of punk madness. Pumping energy pulses every which way right out of the box on the first track here. Yet...there is enough Irish sound that I dare say that even those who don't typically like the genre might enjoy this CD.
I loved "Country Roads" and "Don't Mind," but can't choose a clear favorite here either. The thrash sound doesn't go too far and when it clicks over to high energy, it makes sense. Although it may sound crazy--there is a definite flow to the sound. Something a little unusual in punk, but it really adds to the sound rather than detracting from it.
The CD is short and sweet, but the sound will have you putting it on repeat to get another taste. The punk in this album is right where it should be--front and center, but the Irish sound isn't getting lost in the mix either, which often happens in this genre. If you need to get motivated to do something, pop this CD in and you'll be ready by track 2.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at http://www.catherineltully.com/.
Mmmmm. I like Vicki Swan & Jonny Dyer. This newer CD, "Slip Tease," is a little different than the last, "Scatter Pipes," but that isn't a bad thing. The same ease slips through the songs and the calming effect of the music remains. Lovely vocal sounds and gentle harmonies, simple arrangements and confident playing--these are the things that form the backbone of this CD.
This is not, however, an average CD. There are some elements here that are unexpected--namely the small pipes, which have their own distinct sound. Again, Dyer's guitar pairs perfectly with other instruments on the CD, lending a thread that pulls the sounds of the album together quite nicely.
These two musicians don't rely on crazy antics or complicated arrangements to make their songs shine. Not needed. Pure, simple tunes, put forth by two musicians that offer something outside the bounds of other bands make this a stellar effort. Just when you least expect it, a new instrument will pop into a song, or a harmony will lend a hand, carrying things to a new level. Each new CD shows growth in these already fine musicians. I'm already looking forward to the next one.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
This hot CD is Celtic and so much more. You can feel the energy pouring out as you listen to the tracks on "Bloom". Trying to pin the style down is tough though. There are distinct Celtic sounds and instruments, but the band itself is Canadian and the sounds they produce on the instruments represent a very wide range of styles.
Some of the arrangements are complex, while others feature simple sounds and harmonies. "Smugglers Cove" is a perfect example of how you can have a song that is pared down and still able to shine with mood and feel.
The CD is quite interesting in that you never really know quite what to expect next. A sweet harmony. A song in French. Instrumentals that feel like improvisations. Never boring, this band knows how to keep one's attention with music and vocals as well as their arrangement.
Suffice it to say, this is a band that will not be reigned in by expectation or convention. They do what feels right to them; a true mark of artistry. Bloom represents a multi-faceted musical history that stays true to the band's roots while reaching and stretching to break new ground all at the same time.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at http://www.catherineltully.com/.
With roots firmly placed in the genre of traditional Celtic music, the Beggarmen are excellent ambassadors for their style. This Iowa City-based quartet are experts with their craft and wield their instruments with the confidence that comes only with ability. "Newry Town" is only the band's second effort in terms of a CD release, but they sound terrific and well-polished.
Each of the four band members has been in love with music from an early age and this fact shines through. There is an ease with this group that almost makes you feel as though you are listening to a family play together.
The band tends to mix and match their offerings; part original tunes and part traditional. This is a nice combination, never going off in a direction that doesn't feel just right. They know how to create a good flow and vibe by putting tracks in the right spot. The CD has a "folk" feel in places, due mostly to the guitar, which is allowed to come through when it needs to. All of the instruments are allowed a chance in the spotlight and they all take advantage of it by sounding terrific.
This is just a plain ol' good CD, and is definitely worth a listen. The professional sound here is as good as any I've heard.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Hair of the Dog has been together since 1993, and this New York-based group plays and tours a good deal. The brand of Celtic rock they showcase isn't the heavy-duty variety, but rather a good, old-fashioned rock blend of Celtic, rock and folk. The group has had quite a bit of recognition over the years, including some good press by heavy-hitters such as Billboard Magazine.
You won't find amateurs here either. The background on this band is top-notch and members have been associated with familiar names such as Sha Na Na and the Kingston Trio. Four part harmonies make a regular appearance in the band's vocals and this gives everything a depth and dimension that keeps it fresh, unique and approachable.
A headline band at many major Celtic festivals nationwide, Hair of the Dog brings with them a great song list and multiple talents. Donegal is their best effort to date, with 14 solid tracks that show their skills in all their glory. I must say that the title track brings a tear to the eye--and sometimes that's a good thing. Overall however, much of this CD is upbeat.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn'sCeltic MP3s Music Magazine. You can reach her through her website at http://www.catherineltully.com/.
"OMaille" starts out strong with a song titled "City Of Chicago" and then leads one through a varied bunch of tunes. This Dublin-born singer's voice is very commanding, but can also be tender and gentle when the tune calls for it. The sound of his singing is a little different than most Celtic artists and it makes for a unique sound; sincere and powerful, all at the same time.
O'Malley comes from a musical family--his father was a band leader and mother played the violin. He is a self-taught guitar and mandolin player; and he had a good teacher because his sound is wonderful.
O'Malley delivers a bit of the expected fare, and tracks such as, "I'm A Rover" tread familiar territory, but are still a fun romp. But the CD also serves up a decent dose of the unexpected; especially the sound of O'Malley's voice. My personal favorite was the last track, "Homes of Donegal," which let the CD finish off with a yearning sound that fills the soul. Delightful.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
This unique group delivers quite a lovely CD with "First Flight." The hammered dulcimer is at the heart of the sound here and it is quite pretty. At 19 tracks, there is plenty to listen to, and all of it is good. Fans of the instrument will no doubt adore this offering as it is the centerpiece for the entire CD. The hammered dulcimer looks somewhat like an offbeat xylophone and produces a crisp chime when played.
You'll hear Celtic, Renaissance and early American music here, and the sound of the hammered dulcimer always delivers an upbeat, sprightly feel to any tune it plays. This leaves the CD with an optimistic, happy aura to it. The four person band is from western New York and delivers simple, charming songs. Favorites include Rose, Rose and March of St. Timothy.
The band includes a wide variety of songs here so that things don't get dull. The dulcimer sound weaves the album together, and the arrangements are always fresh while still managing to retain a traditional feel to them. The CD could be voted "most likely to leave you feeling happy," thanks to that special dulcimer sound.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn'sCeltic MP3s Music Magazine. You can reach her through her website at http://www.catherineltully.com/.
I was intrigued right of the bat with this CD and loved it all the way through. If you are a fan of Scottish music this is an investment you'll want to make--unless you are a die-hard traditionalist. You'll not get that here. The music has great energy, but isn't your typical fare either. The pipes are top notch and the outstanding thump of the drums in combination with unusual vocals and vocal sounds make it a feast for the ears. Energy, energy, energy!
The name Albannach is Scots-Gaelic for "Scotsman" or "Scottish" and this band is indeed proud of their heritage. This fact is reflected in everything they do. Track 4 is a bit of a surprise--a woman's clear voice calls forth the lyrics to "Scotland Is Her Name" with stunning skill and beauty. Many of the tracks on the album have a real "other worldly" quality to them; almost dreamlike. This is music that would do well as the soundtrack for a really cool movie since it manages to put you in a particular state of being just by listening to it. There seem to be some heavy rock influences to some of the tracks, yet they manage to avoid sounding like rock somehow. Dang difficult to describe well I must say, but likeable nonetheless.
There is something polished about this band, and they have a very solid sound too. The drums and pipes hammer almost all the way through and it really makes for a tremendous CD. Sometimes dreamy, sometimes powerful--this 12-track effort is well worth a listen and Albannach can confidently take a place at the head of the class.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Fun and more fun! Hugh Morrison and his three-row button accordion are back for more good times and this happy CD is sure to please fans of accordion music everywhere. Hugh began playing at a very young age and it shows in his smooth ability and mastery of this instrument. Sometimes the accordion is the full focus of the song, while other times there are vocals and the music provides texture and background. Basically, there is not a chance that you could listen to this CD and walk away doing anything other than smiling ear to ear.
You'll find an Irish waltz, reels and even the familiar favorite, "Red River Valley" on this album. An unexpectedly delightful performance is presented on "Come To The Hills" - my favorite track of all. Morrison likes to feature other artists in his work, which makes for a full plate of music and keeps things from getting too heavy-handed with the accordion sound.
I have to say, I enjoyed Morrison's last album, but this one really shows that he is continuing to evolve and develop into a more interesting artist, adding dimensions to his songs and sounds. Sometimes peppy, sometimes wistful and soothing, the accordion is used to its full range here and the feeling of Texas is communicated well too. Great spirit and sound make this happy album sing.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
If you want to know what it would be like to grow up in a Scottish home with a mom that could sing the pants off of anything, get this recording. If you know your Scottish folk music, you'll recognize the name Jeannie Robertson, who is the voice on this album. You'll get some terrific singing as well as a slice of life story or two here. History and music together; pretty cool. Robertson is a bit sassy, and totally genuine. The vocals will pierce you with their honesty.
You won't find music muddying up the mix here. What you will hear is Robertson's voice, sharing things with you. By the end of 18 tracks you will feel as though you have some type of relationship with her. It's impossible not to when someone digs so deep within.
Coming from a traveller background, the ballads and songs she practiced were life lessons, not just mere entertainment. Robertson learned the songs and the lessons behind them from her mother, Maria.
Discovered by a famous folklorist in the 1950's, Jeannie Robertson then began life as a professional singer and rose to great heights, garnering great respect as a singer in Scotland and beyond. This collection of songs has a piece of her heart embedded within. Don't miss it.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Celtic rock with a difference best describes this original album by the Mimi Burns Band. All about ghosts, lost love and memories it is sentimental, sweet and yet fresh and alluring all at the same time. Classic subjects mixed with a new perspective, these tunes will please the listener with their honesty.
Mimi Burns herself pens lyrics and they reach deep and ring true. The musicians are all top-notch and the songs are arranged well. All the elements are present for a great CD and that is exactly what is delivered. The Celtic vibe is there, but the songs don't limit themselves to the genre either. The title track is moody and interesting, starting off with the feel of a foggy day which leads to sheer clarity as it calls forth for love.
Each song is something special and you definitely get the feeling that they are crafted rather than just recorded. Care is taken that the right feel for each turn of the phrase is delivered and it makes the difference between a good effort and a really great one. This is a delicately balanced CD with super results.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Artist: Sarah Marie Mullen Album: "Harper's Bizarre" Year produced: 2007
Well it is somewhat unusual to use the words "harp music" and "great fun" in the same sentence, but this CD makes it so easy! Sarah Marie Mullen is a master at her craft and brings a bit of whimsy to the typically serious instrument. Performing professionally since the age of 15, Mullen has more than a little experience with her style and delivery and there is not a doubt in my mind that she is every bit as good in person as she is on this album.
While I remember enjoying her CD, "The Wild Woods," I think she has outdone herself on this latest effort. The songs represented here have a twist to them that shows she is continuing to grow and develop as a musician. The arrangements are extraordinarily intricate and very interesting to listen to. It takes a true talent to deliver all of this so easily.
Don't miss the last track, "Perfectly Spherical Duck" which is smooth and sleek. This CD is really a joy, and will appeal to those who love the harp, but will not alienate other listeners either--there is plenty here to savor. Check it out to see what the harp is capable of in the hands of an expert player who isn't afraid to have a little fun with it.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Just four ladies make up this band, but they can put forth a lot of music! The group plays over 20 instruments, which means you'll hear a lot of variety, although guitar is a clear favorite. Not neatly fitting in any genre, they tip-toe through pop, folk and Celtic stylings. This isn't an issue, however, it's nice!
Those who long for the sea will dream away with Siren's Song, as they prefer this type of subject matter. The soft harmonies float through the songs like a gentle wind and leave you feeling the emotion; you don't even need to hear the words. Songs such as "Tears Of The Moon" and "Song Of The Siren" really leave one transformed by the end as you relax and get into the sounds offered up by these ladies.
The band was established in 1996 and each of the women that are involved has quite a resume when it comes to music. You'll hear the decades of experience reflected in the musical abilities, and certainly in the vocal quality of each of them. Rich, varied and just plain pretty, this CD is sure to find a place in your heart.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Con Suite is a whimsically random assortment of sci-fi and fantasy inspired offerings along with a couple of songs that lean towards slightly more traditional Celtic fare.
Harry Potter freaks (raises hand!) are almost sure to appreciate Chocolate Frog, a happy little tune with fun lyrics and correspondingly bouncy music.
I really enjoy Fairies Stole My Keys, it's the perfect combination of Celtic folk music sound with a modern twist in the verses. All For Me Grog is a rendition of the classic that turned out about as you would expect it to, with maybe a bit too much gratuitous clinking of glasses in the background. The gorgeous harmony will probably cause you to forgive the sound of the barmaid doing the washing up in the recording studio.
I'm sorry to say I just didn't get Bronya Vadavoshtnoshtk. It's not Celtic, and it doesn't appear to be sci-fi, or fantasy ... unless it is, but in Russian. Undoubtedly someone knows exactly what it's all about but that person isn't me. I must have been absent from geek school that day.
Never Split The Party is the stand out by far. I have listened to it, ahem, a lot, and it just gets better and better. I start grinning as soon as I hear the words dungeon master. As a D and D enthusiast, I have to say the line "Never let that damn thief out of sight" is pure gold. This is the song you'll get stuck in your head and walk around singing to yourself all day. The best part is, by the time you go to bed you still won't be sick of it. Words really can't express the depth of my adoration for this hilarious ditty, made poignant by the death of Gary Gygax on the fourth of March, 2008. Rest in peace Gary.
Big Damn Heroes wasn't as good as I wanted it to be, but Browncoats like myself can be tough to please when it comes to our Firefly fan media.
The CD is a bit off and on, but when Emerald Rose is on, they will rock you harder than the Weird Sisters in the holodeck on the U.S.S. Enterprise at the simulated Yule Ball.
Bonnie loves celtic music, filk, and guys that wear kilts. She also harbors an unhealthy fetish for bagpipes. Bonnie is a regular contributor at the Celtic Music blog Celtophilia.
I'm not sure where this Trinity River is, but apparently their whale problem has been solved. All the whalers have put down their harpoons and become Dancin' Beggarmen. This CD offers a fine mix of traditional and contemporary celtic, with some completely off-the-wall stuff thrown in for spice. Some high-fallutin' folk might even call it eclectic.
My favorite song on the disc is Fighting Tigers, a tune about Irishmen fighting for Louisiana during the American Civil War. Like many (okay, probably most) Southerners, I grew up on Civil War history, and am drawn to Civil War/Irish connections like an unfortunate and soon to be deceased moth, proverbially speaking.
Tracks like Down Yonder/Redwing/Spanish Grass Medley and Rusty Old American Dream may not satisfy the trad purists of the world, but there are plenty of others that will. Besides, who really cares what a bunch of trad nazis want, anyway? Dancin' beggarmen can't be choosy beggarmen, can they?
Mike is a long-time celtophiliac from Northeast Georgia, a full-time graphic designer with some news writing experience, and a reluctant web designer. Mike is a regular contributor at the Celtic Music blog Celtophilia
This CD is about post-1798 Ireland. It gives a solid nod to the women and talks about change. Cynthia Bennett has an unusual voice and it is captivating as she weaves through the familiar opening track, "Wearing Of The Green." It helps give the song a new dimension. I enjoy the depth of her voice, even if it does tend to take one by surprise a bit.
Bennett leaves me feeling like I've just spent time with an Irish lad's mother who told me some family history through song. Maternal is definitely a quality that comes through in her voice; caring and knowledgeable all at the same time.
The style of the CD is very much traditional, with a simple acoustic sound and feel to it. The focus here is on the stories that the songs tell about the life and times of those from Ireland who live on in song. There isn't exactly a dearth of material to choose from, but it can be done well, or it can be done poorly. Bennett puts the effort forth to make sure it connects; and indeed it does.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Stew is a great meal because ingredients are mixed together and simmered to create a delicious blend of foods that satisfy. The combination of improvisational bluegrass and traditional Irish sounds on this CD makes for a stew of music that can stand alone as a main dish. You don't even need bread.
You'll primarily be hearing a blend of instruments when these musicians get together and I can say that it's really easy on the ears. There is that relaxed groove that the bluegrass brings which makes everything in the world suddenly become ok. Think that convivial square dance atmosphere with definite Irish undertones.
The blend of genres starts with Gretchen Priest and Tim May, husband and wife. Irish music and bluegrass. Gretchen brings the Irish stylings while Tim comes from solid country underpinnings and bluegrass sounds. So what will you hear musically? The mix is a tough one to pin down, but you'll be listening to the blended sounds of 8-string banjo, resonator guitar, mandolin, fiddle and bass. It's all good. Yum.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
This is one of the more interesting things I have run across in a long time. "Two Gentlemen Of The Road" is part story, part music and part history. Many of you may already recognize the name Jimmy MacBeath, one of Scotland's beloved traditional singers. Well, here you get to know him in intimate detail. This CD doesn't just deliver song--although it does that as well--but rather seeks to capture a slice of what life was like back when.
The musical portions of the CD feature MacBeath and Stewart working together with voice and accordion, singing simple songs. Sometimes there is no accompaniment, just the voice calling out. There is something really neat going on here and it is very real, very touching.
The other part of the CD has tracks that are filled with stories and the recounting of personal history--spoken word. The listener almost feels as if they are present during the taping of a family history session. It is intimate and fascinating to listen to the stories and hear what has transpired through time here. It's a two-disc set, with the first detailing life on the road in all its gore and glory. Disc two discusses work and family, as well as a couple "tales."
I've never experienced anything like this before.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
This is a very dreamy album. Ideal for those who enjoy harp music but are tired of the same old thing as the CD is done in a very different style, and the vocals whisper and call much like a fantastic, eerie combination of Sinead O'Connor and Loreena McKennitt. The songs are all original too,making the sounds both unexpected and delightful.
Each track has a very intimate feel to it. One feels as though the singer is sharing her innermost feelings and emotions through song here, and it is riveting. Tracks such as "Loss" have a choir-like atmosphere, even with a solo voice. Picture music that would accompany a stylized dream sequence in a movie and you are on the right road to understanding the sound of Claire Roche.
The tracks are too full to be background/relaxation music, but they are ripe for the daydreamer. Whether thoughtful yearning for the past is on your mind or wishes for the future, there is something here to set the mood for you to kick back and just think things through. Track six, "Unrequiet" is especially different--you don't listen to the lyrics as much as the sound of Roche's voice, and it is pure magic. The music itself remains fairly simple throughout the CD, which is as it should be. This is a tremendous sound Ms. Roche has developed.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
This is the simplest of CDs in one way--just a man and his harp--no frills. Yet Darren Raleigh manages to keep things interesting enough to hold your attention well for the entire 10 tracks on his album, "Silverwheel". This is squarely in the Celtic genre, and those who enjoy a good harp will feel satisfied after giving this a listen.
Raleigh takes his music very seriously, and considers himself a story teller as well as a musician. He has led a very interesting life, which undoubtedly has contributed to his music, and has done things such as travel as a street harper and participate in Renaissance Fairs around the country. Raleigh studied music as a child, returning to it later in life and finding his passionate spirit best reflected in the tones of the harp.
The tracks here vary from sprightly to sentimental, and the musicianship is quite good. Vocals are less frequent than the sound of the strings, which isa nice emphasis in that you just get to listen to the man play. What couldbe too much harp for some will be a welcome amount for those who love this instrument's sound--it is the centerpiece of the album and is pure as can be.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Not many debut albums have the kind of immediate impact on the listener that Celtic Passage does. This is music from a lady (Deirdre Ni Chinneide) who has a very distinct, unusual style and knows how to weave together an interesting and artistic CD. The sounds heard here were inspired in part by the land of Inis Mor, the largest of a group of islands off the west coast of Ireland. The island is also the artist's home.
Deirdre is a psychotherapist, working in the specialized field of trauma and recovery, and it is reflected strongly in the soothing feel of her music. She believes in the healing power of sound, and it shows. This CD is balm for the most stressful of days or moods. Songs like "Cry to the Mountains" and others have an almost "new age" slant to them, with a world music mood here and there as well.
It is difficult to describe the tenderness of the singer's voice, but it rings out in its angelic tones and leaves one feeling relaxed--like all is right with the world. Harmonies punctuate here and there, keeping the sound from being too one-dimensional and infusing tracks such as "Mother" with energy despite their gentleness.With 13 tracks, there is plenty of time to sit with this music and let it work its magic. By the end of the CD, listeners should find they feel inspired and refreshed, for this is truly restorative sound here. Not just a copy of others who came before her, Deirdre Ni Chinneide finds her own way into the field with Celtic Passage, and stakes her claim with this ethereal effort.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
What do you get when you have three musicians who set out to play music from Brittany, Ireland, England, Scandinavia and Scotland and want to bring their own stamp to the mix? You have a CD by Poor Man's Fortune, titled In Good Time!
The band calls their style, "old tunes for new ears" and accomplishes that by taking old, traditional songs from a variety of places and arranging them with a modern influence. The instruments remain traditional, but the band infuses their tunes with an energy and style that leaves one well aware that this is not your grandfather's trio.
This band has some serious background in the music field--either by college degree or experience--or both. You'll find no amateurs here. The CD begins with the sound of a crowd and evolves into a fun jaunty piece to get things rolling. Some tracks are light and fluffy while others are a bit more dramatic--one doesn't know what exactly to expect from each new song--but it is all interesting. Those looking for music that is traditional filtered through the lens of interpretation and intellect will get excited by this CD.
If you want a safe listen, you may want to look elsewhere, but if you want to expand your musical horizons and see what can happen when one doesn't play totally by the rules--check out this album. It's well worth the time.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
I bet this is something you never ever thought you'd see! And next, I'd bet you were wondering if this is any good...
Well, let's end the suspense right now--it is fantastic! The unique idea to recap Cure songs with a Celtic flavor and different arrangements is a stroke of genius. You'll find favorites such as: Pictures of You, Love Song, Boys Don't Cry and Just Like Heaven. With ten tracks in all--this is a must listen Celtic rock CD to add to your collection.
If you have trouble imagining what it sounds like to mix the two you aren't alone--I had to hear it to see what the possibilities were, but it is really a great tribute CD. Favorites include The Love Cats, which purrs over the fiddle strings, and Fascination Street, which is the perfect blend of rock, Cure and Celtic sound. The album opens one's eyes (and ears) to the possibilities in terms of what can happen when you mix and match great music.
The band started out as a rock band in New York and evolved into what it is today -- a unique Celtic rock group. This isn't a new bunch either--these guys have been around a while and have put out a bunch of CDs over time. Give this one a listen and see what can happen musically with a great tribute to a great band.
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Rock meets Great Highland Bagpipes--or as the band enjoys--the phrase"Sham-rock." You'll find fun tunes here like "The $17 Red Head," and "Nancy Whisky" -- all with a groove that is somewhere between both styles of music; Celtic and rock. The elements that define each style are present in varying amounts, but unmistakable from track to track.
The band has both reverence for each genre and a sense of humor--both great qualities to have as people and as musicians. The last track, "Stairway to Scotland" has a tremendous sound and combines Amazing Grace with Scotland the Brave for a smashing tune--perhaps the best on the CD. Track 3, "Run Run Away" will bring a knowing smile for those who recognize the tune (and an even wider grin for those who recall the video!).
The fun had on this album is apparent in the energy the musicians call forth as they play and the choices they made in selecting what to mix. You don't have to have seen them play to know that these guys have a really good time blending their sound together and learning from each other while they do it. Each style remains true, yet they are blended in a realistic and enjoyable way. Good stuff!
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.
Celtic Storm airs every Monday morning on KOOP 91.7FM produced and hosted by Donnelle McKaskle. Playing the Best in Traditional and Not so Traditional Celtic Music.
1. Victims Of Irish Music ~ Compilation (Irish & Celtic Music Podcast) Compilations tend to highlight some of the best, and Marc Gunn has done so in this wonderful grouping of independent Celtic musicians. At 17 tracks, this CD gives the listener a wide range of tunes, and serves as a great introduction to the variety that is available out there. You just might find yourself a new favorite band here..
2. "The New Colossus" by MacTalla Mor I love this band, and if you like the highland bagpipes--so will you. With a unique "fusion" style and hints of unusual musical influences, this is the real deal. From a bagpipe duet to more unusual fare, look for sounds outside the typical range here--but blended in so well that they will add to the overall sound. Smashing!
3. "Four On The Floor" by Old Blind Dogs This popular Scottish band is well-known for a reason, and this CD is the perfect example of why. Songs like "Terror Time" have an amazing depth and the musicianship is stellar. This album is not to be missed!
4. "Tales from Windsor's Tavern" by The Merry Wives of Windsor Although not technically square in the middle of the "Celtic" genre, this CD makes the list because it is just too good not to be here. The Merry Wives of Windsor consist of eleven singers that present an amazing sound which is a combination of renaissance and folk music with English influences. The reason it sits here is because the harmonies are so tremendous--three and four part--and done so well.
5. "Athas" by Athas Those who love set dancing will want this in their collection. Besides delivering up a great CD, the band has included five tracks that can be used to dance to for the Borlin set. A mixture of traditional and original music, this album provides a great listen in its fifteen tracks.
6. "Far From The Hills of Donegal" by Oisín McAuley This is McAuley's solo debut and it showcases him well. Once the lead fiddler of the traditional group Danú, this fiddler has been playing since he was nine years old--and it is obvious by his skill! This CD is marked by range, with McAuley calling forth both fire and yearning from his instrument on this 13 track effort. No doubt there will be more where this came from.
7. "Zephyr in the Confetti Factory" by Jamie Laval and Ashley Broder Another album that is centered around the fiddle, this is a very innovative CD that combines Irish, Scottish and other Celtic fiddle music--quite successfully! Championship fiddle playing reigns on this album, but it is done with a bit of a stretch from the traditional--without being crazy experimental.
8. "Irish Drinking Songs: The Cat Lover's Companion" by Marc Gunn & The Dubliners' Tabby Cats You just have to hear it! Marc Gunn has released this CD full of the original songs that were featured on his "Irish Drinking Songs for Cat Lovers" album. Check out the first versions of those songs such as "Finnegan's Wake" and "When Irish Eyes are Smiling" and compare! Gunn is his usual, fun self here and the 13 tracks are sure to please!
9. "One Lump or Two?" by The Tea Merchants A great CD that gives the listener the unexpected--with a whole lot of energy! Take track 4 for example--"Led Zeppelin Polkas." Need I say more? Lighthearted but skilled describes this group well, and this album has them at their most interesting yet.
10. "Tales Through Time" by Rowan A combination of World Music and Celtic sound, Rowan has earned its place in both genres. This CD is a perfect example of their layered style. If you are looking to expand your horizons and experience something different--try this!
Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.