Free Celtic MP3s Magazine and Music Downloads

Celtic MP3s Music Magazine

The Celtic MP3s Music Magazine is a free monthly Celtic music magazine featuring free music downloads of Celtic, Scottish, Irish music from around the world. Here, you will find free music downloads from independent Celtic artists. Some MP3s are time sensitive. So download them now. All of the latest MP3s are available for at least a month. As always, if enjoy the music, please help the artist out and buy their CD. Serving Celtic music fans since 2000!

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"Upon A Winter's Eve" by The Black House Ceilidh

by Catherine L. Tully

Artist: The Black House Ceilidh
Album: "Upon A Winter's Eve"
Year produced: 2006

This debut album provides the listener with a variety of yuletide carols that have an "old time music" flavor to them, giving a nostalgic--and yet timeless feel to the entire CD. Instrumentation such as the viol de gamba, violin and the lute are on hand to lend a good tug to the heartstrings with the emotion they evoke on the holiday selections here.

Rather than relying on flashy arrangements, the selections by The Black House Ceilidh instead favors simple, earnest sounds; relying on the purity of the music rather than the complexity to give it style. This, in fact, can take as much skill as virtuoso play, as it must be clean, sincere and nearly perfect to have the effect of inspiring the listener. This band succeeds on all three counts, delivering a 19 track album that anyone would be delighted to have on their music lineup for the holidays--and beyond.

This is music to enjoy by the fire with a warm mug of something tasty in hand. There is a feeling of the "traditional" woven throughout this CD, so it makes a terrific selection for those looking to add to their collection a bit of the olde holiday spirit; delivered with expertise and simplicity for the enjoyment of the listener.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.

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Posted by Marc Gunn, Sunday, December 30, 2007.
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"Athas" by Athas

by Catherine L. Tully

Artist: Athas
Album: "Athas"
Year produced: 2007

This traditional Irish music trio hails from Milwaukee Wisconsin and this album is truly music to dance by. The CD includes five tracks that are designed for set dancers--so that they can "dance along to the Borlin set."

The band offers up a mix of both traditional and original tunes here, and they are all wonderful! There is just enough of a modern feel to the music to keep it fresh and interesting, but fans of the "bread and butter Celtic sound" will not walk away disappointed.

Between the three you'll hear the fiddle, viola, guitar, djembe, bodhran, wooden flute and spoons as they skip, hop and slide through each track with ease. Band mates Heather Lewin-Tiarks and Amy Richter both have championship wins under their belt for their playing and it won't surprise listeners one bit when they hear the songs here. The third member, Jeff Ksiazek rounds the trio out nicely with his expert play on the guitar and flute. Each of the band members contributes to the sound and it really has a live, polished feel to it--like you are sitting in on one heck of a good session.

The band's name "Athas" means joy and gladness, and the musicians share those sentiments with the people who listen to this CD through their songs. The energy is contagious.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.

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Posted by Marc Gunn, Sunday, December 30, 2007.
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"Four On The Floor" by Old Blind Dogs

by Catherine L. Tully

Artist: Old Blind Dogs
Album: "Four On The Floor"
Year produced: 2007

All I can say is I'm in love. It is obvious why this band won the "Folk Band of the Year" award for 2007 at the Scots Trad Music Awards. "Four On The Floor" is a masterpiece of sound that is an absolute joy to listen to. I loved it right from the first track, "Terror Time," which is so captivating that I'm drawn to it over and over.

There is something about this group that sets it far apart from its contemporaries. Something special and nameless that could be dubbed as a kind of charisma of a musical nature that I hear only occasionally. (If there is such a thing, the Old Blind Dogs really do have it!)

Although the music and expertise of the players is top-notch, it is really the sound of the vocals that makes this band connect so well. The purity of the sound in these voices is spectacular--and exceptional. Tracks like "Gaelic Song" really show that off well. The charisma rises to the surface like bubbles in a band like this, and you don't see it all the time, even though there are many wonderful musicians out there in the world today.

The pipes are fantastic, the ballad-like tracks are easy on the ears and the vocals are so pleasant it just makes one want to hit repeat and listen again and again....This is a band to fall in love with.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.

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Posted by Marc Gunn, Sunday, December 30, 2007.
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"An Nollaig - An Irish Christmas" by Eileen Ivers

by Catherine L. Tully

Artist: Eileen Ivers
Album: "An Nollaig - An Irish Christmas"
Year produced: 2007

This is a lovely compilation of Christmas music--with some highly recognizable tunes, such as traditional favorites like "Hark The Herald Angels Sing," and other, more unusual holiday fare. Ivers is an Irish-American fiddle champion, and the ease with which she yields her instrument reflects her both her skill and comfort-level with her chosen method of artistic expression.

You can hear Ivers play and experiment with rhythms, which directly impacts the mood of every track she plays on here. Whether sprightly, as on some of the more upbeat tracks here, or haunting--like the last track, "O Holy Night," which is tremendous, Ivers infuses her music with feeling and energy. Especially interesting is the interpretation of "Jesu, Joy of Man's Desiring" which is arranged in a very unusual way.

Not only nice for the holidays, this is a CD that can be enjoyed year-round as the music is so appealing. The Celtic overtones make it a fun compilation and the album will have appeal for a wide range of listeners because of the combination of familiar holiday classics and their interpretations. "Do You Hear What I Hear" is a particularly different take on a holiday favorite that is positively loaded with the influence of Irish music, as well as an almost Caribbean flavor. Very cool--and very different.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.

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Posted by Marc Gunn, Friday, December 28, 2007.
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"Visions and Dreams" by Catherine Duc

by Catherine L. Tully

Artist: Catherine Duc
Album: "Visions and Dreams"
Year produced: 2005

Catherine Duc is an award-winning musician and this CD highlights her many talents. Wistful and pretty, the "new age" style, ambient, Celtic mix is one that is sure to please fans of singers such as Enya. The music is simple and refreshing; terrific to sit back and just mellow out to. It won't make you sleepy, but it will take you down a notch if you find yourself keyed up.

The instrumentation here makes use of many different sounds; listen for Bolivian and shakuhachi flute, dulcimer, guitar, chimes and kalimba in the songs. Even the Japanese-style taiko drums make an appearance. There is an electronica feel to the CD, but it isn't overly processed--reflecting Duc's music production background. Instead the album comes across as quite polished and very well done.

"Visions and Dreams" doesn't blaze a brand new trail for itself or listeners, but the work is very good nonetheless. The overall mood is uplifting and positive, and each track offers something of interest to the ear without being too demanding. If you are looking for a good new age, Celtic style CD to put on while you relax and take a break from the world, this one is a good choice.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.

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Posted by Marc Gunn, Tuesday, November 27, 2007.
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"Tales from Windsor's Tavern" by The Merry Wives of Windsor

by Catherine L. Tully

Artist: The Merry Wives of Windsor
Album: "Tales from Windsor's Tavern"
Year produced: 2007

This CD gets right off to a rousing start with the first track, "Windsor's Cider," which is a wonderful number with lyrics that will have you singing right along from the beginning. Not all Renaissance Faire style music is appealing to the average listener, but the Wives infuse the songs with their own style and give it a wider range of "listenablility."

The songs give one a healthy variety, from wistful tunes such as "Green Fields of France," which feature a lone, rich voice that evolves into harmony with the other ladies as the song moves forward, gaining momentum. Also look for the old favorite "Whiskey in the Jar," which is hidden away under the name "Jenny's Story." You won't leave wanting--there are 17 solid tracks on the album.

The thing that sets these ladies apart are the spectacular harmonies they put forth with such seeming ease. The innocence in their voices is refreshing--and sometimes surprising, given the subject matter, which can get a bit risqué at times. They tackle many different tunes here, and always with confidence; these ladies never sound timid or tentative. The CD is worth listening to just to hear all of these ladies singing together--it doesn't get any better than this with the three and four part harmonies.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.

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Posted by Marc Gunn, Sunday, November 25, 2007.
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"OK Pewter" by Mabon

by Catherine L. Tully

Artist: Mabon
Album: "OK Pewter"
Year produced: 2007

Recorded in Wales--the place Mabon calls home--this energetic folk album gives more than a nod to its Celtic roots and can be happily added to any fan of the style's collection and fit right in. Helmed by accordionist Jamie Smith, the band has evolved to a seven-piece group. Their full sound can be compared to the pleasure one gets when listening to "big band" music--but Celtic style, and more modern.

The instruments are used well, and you'll hear a wide variety of them in addition to the accordion including the mandolin, flute, fiddle, acoustic guitar, bass and bodhran, among many others. The music tumbles and grooves, sometimes spinning wildly with its own energy, but it always settles back into a rhythm that feels good and right for the song. The mood of much of the music is that of barely contained enthusiasm, which spills over and affects the listener--in a good way! Make sure to give track 7, "A Hungarian in Brittany" a listen--the pacing is irresistible and although the song is over 10 minutes long, it holds one's attention effortlessly.

This is a very creative CD, blending cutting-edge style with tradition without being obvious or typical about it. The musicians are all skilled players that have blended their talents in a way that has moved the genre forward. It will be interesting to see this group grow and evolve--they are already at the top of their game--what's next?



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.

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Posted by Marc Gunn, Sunday, November 25, 2007.
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"Five Hand Reel" by Five Hand Reel

by Catherine L. Tully

Artist: Five Hand Reel
Album: "Five Hand Reel"
Year produced: 1987

The unusual Scottish/Irish/English band from the 1970s was ahead of their time in sound. This is a terrific album, filled with traditional sounds which are blended with electric instrumentation and a cool, often understated, rock vibe. The thing that makes the combination so different is that the music still manages to present a "folk" feel much of the time--not an easy thing to accomplish considering all that is thrown in the pot together.

"Five Hand Reel" is the band's first effort, and it previews what would become their sound in later efforts. The band did continue to evolve and experiment throughout their time together, but this is the root of where it all began. Songs like "The Death of Argyll" are very moody, while other tracks are full of the perk and pep that typically characterize the more upbeat Celtic songs.

With Celtic rock, the mix of old and new is a mood and sound that are totally set by the individual band, depending on their preference. What is neat here is that the rock influence is definitely dialed in, but it is added to the Celtic music rather than trying to replace it. The two sounds are mixed together without losing their individual character, which makes for a pleasurable, if somewhat unexpected listen.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among other magazines, and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her website at www.catherineltully.com.

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Posted by Marc Gunn, Thursday, November 22, 2007.
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"Fianchetto" by Queen's Gambit

by Catherine L. Tully

Artist: Queen's Gambit
Album: "Fianchetto"
Year produced: 2007

Queen's Gambit can always guarantee a good listen, and in their own "lighthearted" tradition, they deliver just that on, "Fianchetto." (Just in case you are wondering, "fianchetto" is Italian for "little flanking;" a chess pattern involving the bishop--of course!) The Oklahoma-based Celtic band is generally known for their pretty far-reaching mixture of styles which include both Irish and Scottish traditional music in addition to a smattering of others, such as Renaissance music and English Folk.

This CD is really focused on the instrumental, however--highlighting the sound of various instruments as "voice." Some gorgeous harmonies are here from the ladies on "Galway Shawl" which is especially lovely as those delicate voices weave their way through the song together. What results is a somewhat relaxing combination of tracks--never striving too hard to show off, but instead staying true to their sound and presenting themselves for a delightful listen, and it all works nicely! As usual the band delivers plenty of songs, and does so with ease, style and--thanks to the ladies--even grace.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Monday, November 19, 2007.
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"Rose in the Heather" by FIMM

by Catherine L. Tully

Artist: FIMM
Album: "Rose in the Heather"
Year produced: 2006

Short and sweet to be sure, but there is a lot of sound packed into the five tracks set up here on FIMM's "Rose in the Heather." There is a very progressive, modern edge to the music as well, but it is steeped in traditional sound also, so it should intrigue many Celtic music lovers rather than put them off. The album isn't different just to be different, but rather takes a cue from the sounds of the instruments and pace of the songs as to the direction it asserts itself.

The harmonizing on track 3, "Twa Corbies" (two ravens) impresses with its unusual combination of pretty and rough, and is punctuated occasionally by the irregular thump of the drum beat. Each song here has something unique to contribute--its own story--and one is left with the feeling that nothing was left to chance on this CD. It gives the listener the feeling that the album was "crafted" rather than compiled.

From start to finish, this is a very enjoyable piece of work that leaves one wanting more. Reels, jigs and a lament make for a nice, rounded collection of sounds, making the CD more of a listening experience than a collection of disparate songs. A delight.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Monday, November 19, 2007.
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"14 Miles To Boston" by Jolly Rogues

by Catherine L. Tully

Artist: Jolly Rogues
Album: "14 Miles To Boston"
Year produced: 2006

Nearly everything this band does has its basis in history. The title of the CD, for example, harkens back to the 1700's, and refers to the distance from the Hartwell tavern to Boston. The album is filled with variety--Irish and Scottish music--children's songs, ballads and more, taking one back in time to days where music was one of the best ways to relieve the stress of the day. You'll find true emotions here--sometimes sad, sometimes merry.

The band itself sounds terrific--really smooth, and although the musicianship is stellar here, the more voices on the track, the better it sounds. When they all sing together, you really get a feel of people gathering to make the best of their lives and sharing their joys and sorrows. It feels good to be transported there through song.

With wonderful, traditional songs, good sound and a healthy respect for our heritage as well as that of the Celtic ancestors who brought their music here, this band is pretty amazing. Weaving all those strands together, this CD is truly a great listen, as it speaks right to the heart.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Tuesday, November 06, 2007.
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"A Collection of Live Recordings" by Thyme Awaye

by Catherine L. Tully

Artist: Thyme Awaye
Album: "A Collection of Live Recordings"
Year produced: 2007

What a terrific CD! Full of verve, Thyme Awaye has a totally unique vocal quality, with a sound that is as particular to her genre as Stevie Nicks is to rock and roll. The songs on this CD fill the range; from soft and gentle to peppy and energetic.

Favorites here include the first track "Highland Harry" which is delivered with finesse, and track 3 "Black is the Color," in which the sensitivity of the lyrics are softly offered to the listener. There are also fine renditions of "Wild Mountain Thyme" and "Drunken Sailor" among the tracks here. Thyme Awaye brings something fresh to each of the familiar tunes and makes them a bit new all over again.

Listening to the album makes one want to hear Thyme Awaye live--there is something about the vocals that you just know would be amazing in person. That said, listening to them on CD is the next best thing! Involved in music and performing since age 12, one can hear the polish in her music and the love for song shines through clearly. A fine album.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, October 26, 2007.
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"Dancin' Cross the Strings" by Steve and Ruth Smith

by Catherine L. Tully

Artist: Steve and Ruth Smith
Album: "Dancin' Cross the Strings"
Year produced: 2007

What do you get when you put together two musicians from the Blue Ridge Mountains with a Scots-Irish background? You get a CD packed with music of Appalachia. Music from this area of the country was brought there by the early settlers, who were--you guessed it--Scots-Irish.

You'll hear a variety of sounds on this instrumental album, including the hammered dulcimer, guitar, flute, fiddle, bodhran and clawhammer banjo. It makes for a very intriguing "stew" of sound. The overall effect is relaxing and dreamlike--carrying the listener along for the ride. Somewhat like a Celtic "New Age" sound, this CD really would be the perfect accompaniment to a hot mug of tea and a relaxing afternoon spent looking out the window at the world going by.

The arrangements here are well done, and although the music is relaxing, it isn't boring or solely background music. The musicianship shows through and begs for the ear and the dulcimer is used in a very gentle way much of the time--blending in and flowing rather than screaming for attention. The effect is quite nice and Ruth's touch is definitely cultivated well. Sit back and relax with this album--get a little lost in the sound and enjoy...



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, October 26, 2007.
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"Forevermore" by Answer Hymn

by Catherine L. Tully

Artist: Answer Hymn
Album: "Forevermore"
Year produced: 2007

This Christian band has roots that are a blend of Celtic, New Age, pop and world folk--an eclectic, but successful place they have chosen to fashion their style and sounds from. The songs on this CD have classic themes such as Saints, love and happiness, and they have the cord of the musician's faith running throughout as a constant as well.

The vocals fold in with the instrumentation, with the sound of the women's voices comfortingly reminiscent of a church choir on many of the tracks. Check out track 12 to hear "Kyrie Eleison" which features soft, female vocals that whisper through the track--a bit "Enya" like. (In other words--pretty!)

The group's Christian roots run deep and their name was chosen to highlight it. Those searching for something to reflect that faith in music will enjoy this CD immensely. This is praise music--there is no doubt. If you are looking for something original in that genre, this will both please you and soothe you.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, October 26, 2007.
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"Drive Me Mad!" by Fiddler's Green

by Catherine L. Tully

Artist: Fiddler's Green
Album: "Drive Me Mad!"
Year produced: 2007

If you find it odd that a band from Germany can serve up some Irish "speedfolk" music with the best of them, you aren't alone--but the fact remains, Fiddler's Green does just that. Around now for over 17 years, this is a band that can hold its own, even switching out a player here and there without losing their sound. People have referred to their sound as a sort of ska/Celtic folk, which fits well--but can't really sum the band up entirely.

The clever, light humor in many Irish traditional-style tunes is present here and mixes well with the heavy groove of the band, presenting "punk" sounds--Celtic style. Fans of The Pogues or Flogging Molly will love this sound. Interestingly, you'll also hear some vocal harmonies here that are typically an unusual sound to come forth in this type of music--but it really works.Twenty tracks make this CD a no-brainer in terms of an investment.

Right from the first track, "Irish Air" everything is off to a great start, and the pleasure doesn't stop there. Don't miss track 14, "(You) Drive Me Mad" with its irresistible rhythm. Really, this was a great CD from start to finish, layered with different sounds but laced together with unstoppable energy all the way through.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, October 05, 2007.
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"Simply Entitled" by John Wiseman

by Catherine L. Tully

Artist: John C. Wiseman
Album: "Simply Entitled"
Year produced: 2007

This well-named CD is truly a simple, pleasant mixture of music put together by John Wiseman. The first track is a lovely instrumental, followed by an amusing tune about a bus that is sure to bring a chuckle. The CD has a nice variety of sounds and songs and Wiseman brings to his music influences from an eclectic musical background which includes Celtic, country, rock, folk and the Renaissance Faire circuit.

This is his first solo album, but he is no stranger to the musical scene--having played with both bands "Minstrosity" and "Merry Measure" in the past. Guitar and mandolin are his instruments of choice, and his vocals have a tenuous but pleasant sound that comes across very sincere. The CD has Wiseman delivering his own heartfelt rendition of Danny Boy, which is gentle and has a simple flute accompanying--which is almost like a voice itself.

As a man who has had a long love affair with music, it is nice to see John Wiseman stretch his "wings" and try an album of his own, expressing himself fully. He manages well and the fact that he enjoys what he is doing shines through in both the mood and tone of the CD. No pretenses here--just a man and his music--and sharing his love of it with others.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, October 05, 2007.
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"Better Than Live" by Marooned

by Catherine L. Tully

Artist: Marooned
Album: "Better Than Live"
Year produced: 2007

This is CD number two from Marooned and it's a real auditory treat. Harmony is the true backbone of it all here; a capella-style. The vocal sounds are sometimes eerie, sometimes fun, but always excellent in quality. This is no amateur hour, and the use of voice is unique, not always following an expected pattern. The women's vocal harmonies are crisp and crystal clear as in track 7, "My True Love." When the men's voices join them it brings a richness and full dimension to the sound. Having an entire album without music is a challenge to do and make sure it is still listenable, but it is done without effort here.

The band began in 1995 in Las Vegas at the "Age of Chivalry Faire," and they have performed extensively at a variety of faires since then in addition to recording CDs. Some of the individual members have come and gone through the band over time, but most seem to circle back here and there and make an appearance.

If you like to lose yourself in harmony, this is a must have CD. Track 12 has Marooned singing rounds and it is incredibly well done. You'll get a full 15 tracks--all filled with some satisfying sounds, be they happy or filled with longing. The last song--"The Dutchman"--tops everything off nicely; a solid ending to a delightful album.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, October 05, 2007.
New to Celtic MP3s Music Magazine? Subscribe to this blog's feed. Or sign up to get email updates. Find free Celtic music downloads from Marc Gunn!



"Arse Biscuits" by Patrick's Head

by Catherine L. Tully

Artist: Patrick's Head
Album: "Arse Biscuits"
Year produced: 2007

This Philadelphia-based band's most recent release, "Arse Biscuits," is true to their style--you could call it "acoustic with teeth" since it sinks in instead of fading away. The folk stylings are there, but this is not a blend into the background type band by any stretch of the imagination. The vocals are delivered with the utmost sincerity and the music follows suit.

Songs like "The Sick Note," tell a little story and have a great sense of wry humor, and if you can hear the title "Kilts Up, Knickers Down" without cracking a smile, it might be time to worry that your sense of humor is drying up! This isn't just a romp album though, the sound delivered is full and strong and vocal quality is stellar here as well.

Track 13, "The Town I Loved So Well" is a touching song that many can probably relate to on some level and is wistful and pretty all at the same time. The CD has a nice flow to it. Not content to limit itself to a narrow sound, Patrick's Head will stretch itself here and there and they succeed quite well each time--the CD is sweet, fun and funny.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, October 05, 2007.
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"Traveling Home" By Allison Barber

Allison Barber has been described by Irish America Magazine as having a "sean-nos style beyond her years" and a talent that touches hearts and souls. This Irish-American singer/songwriter is indeed all of that. In fact, she can capture her audiences' attention from the very first note.

Living in New York City, she finds her self in high demand as a singer in the traditional scene. Barber has also had the privilage of performing with a vareity of renowned msuicians and groups. The purity her voice brings and the earthy soulfulness of Irish music is a good mix. Her first CD, Traveling Home, is a great example of what Celtic music today should sound like.

She currently performs with some of the best traditional musicians in what is known as The Allison Barber Band. What they offer is traditional and contemporary music that is fun and exciting. Add her haunting vocals with the energy of the arrangments of jigs and reels, and it is a sound that audiences will not soon forget.


Hometown: New York, New York, USA
Website: Allison Barber
Download MP3: Traveling Home
Buy CD: Traveling Home

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Posted by Karen J. Brady, Thursday, September 13, 2007.
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"Chasing Our Tales" by Circled By Hounds

by Catherine L. Tully

Artist: Circled By Hounds
Album: "Chasing Our Tales"
Year produced: 2006

Blasting right out of the box with confident harmonies on track 1, "The Tattle Tale Polka," you know right away that Circled By Hounds is going to be giving you a good bit to listen to in the 16 tracks they have compiled for your listening pleasure. A traditional Irish trio, this band features both original and traditional songs here on "Chasing Our Tales." You'll hear Kathryn Claire on fiddle, Matthew Hayward-McDonald on guitar and find Vash (that's it--no last name) at the helm of the percussion.

The music is well-played, but the real punch of this group is in their use of voice. Each of the three dip into the lead and harmony here and there, but they capitalize on the fact that they do this very well. Fans of that type of sound will be just delighted to hear these sounds ringing forth from their lips. You might even call that harmony a trademark sound of the band, although not every track uses it. This is the bands first studio album, and it sounds great--they put out a live recording in a hay loft in 2006, but thought they'd give something more technical a crack. Well done.

Their rendition of "Health To The Company" is a classic example of the expert harmonies this band can produce--truly, if you like that sound you must listen to this CD. The three have managed to blend themselves into one entity in this way and it makes for a very tight, professional sound that can't just be manufactured at will, but is the result of skill and practice.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, August 02, 2007.
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"The New Colossus" by MacTalla Mor

by Catherine L. Tully

Artist: MacTalla Mor
Album: "The New Colossus"
Year produced: 2007

Get ready to get knocked out with this CD--right from the very first track! The unstoppable energy of this band is back, and better than ever on their latest effort, "The New Colossus." MacTalla Mor is able to do their "fusion" style without it being overly obvious--it seems so natural to hear the wonderful and interesting sounds they call forth in each track. You can hear the tugging of all kinds of musical styles here; Calypso, Jazz, Rock and more, all blended with traditional Celtic rhythms and instruments.

With rich, emotion-filled vocals rounding out the mixture, this CD is a mixture of sounds that shows the range of the band while still being true to their overall style and cornucopia of sound. MacTalla has champion pipers, an award-winning Gaelic singer and top-notch musicians to call on--and they don't rest on their previous accomplishments, but rather seek to grow, expand their sound and better themselves each time they come together for a CD. The New Colossus is such an effort, and the band remains one of my absolute favorites.

Besides the first track here, bagpipe fans shouldn't miss track 7, New Wave or track 10, a bagpipe duet. That said, the best way to listen to the CD is to pop it in and go start to finish--you'll be taken on the grand tour--through a variety of musical sounds that is a treat--sometimes fun, sometimes astonishing and always terrific. The last track on the album will leave even the most discriminating listener satisfied, and those who love the pipes will be smiling ear to ear.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, August 02, 2007.
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"Proof" by Greenwich Meantime

by Catherine L. Tully

Artist: Greenwich Meantime
Album: "Proof"
Year produced: 2007

With 11 tracks, Greenwich Meantime's latest effort, Proof is a pleasant showcase of the growth and change this band has experienced in sound since their last album. The band plays with a bit of groovy, which gives them an appeal that is not limited to the fans of Celtic rock music. Some tracks drift a bit more into the rock genre while others pull toward the Celtic. It is as if they vacillate between the two a bit, never staying in one or the other too long...

The fiddle work is often the standout here, and it never grows tiresome. Skilled play and tight rhythms add to the overall effect of each track. Standouts include number three, Queen Of Argyl, which has a terrific energy to it and the enjoyable last track "Celtic Rock Show," which lives up to its name.

The vocal sounds heard here could easily be on any mainstream rock CD--it fits completely within what is familiar, but the blending of voices often hints at more of a "party" atmosphere more typical of what one might expect from a Celtic group. Carving out their own niche while not being afraid to experiment a bit and try new things, this band is growing while still having a darn good time with their music. That rings through it all and makes for a good CD--it's always nice to listen to people having fun with their music!



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, August 02, 2007.
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"Tooraloo" by The Ceili Family

by Catherine L. Tully

Artist: The Ceili Family
Album: "Tooraloo"
Year produced: 2007

Enjoy this upbeat CD standing up, because you'll surely want to move your body, or perhaps even jump up and down! In the tradition of bands such as The Dubliners and with a hat-tip-and-a-half to Shane MacGowan, you'll hear tracks such as "Fall Face First" and "Delirium Tremens," from which you may never recover!

The punk influence here is solid, but as with most good bands within the genre, The Ceili Family knows how to play and please their listeners--you'll find no amateur hour here. Lyrics are as amusing and offbeat as you'd expect upon hearing their influences include The Pogues and the Dropkick Murphys. There is also that underlying current of racing energy present that fuels this style.

This band describes themselves as "Irish-Entertainment-Folk'n'Roll," and that quite suites their style, which is very much a melting pot mixture. Unmistakably Irish, these guys deliver an updated sound without thumbing their nose at the music that they spring off of. Adding their own stew of sound and personality, this is a band that doesn't take themselves too seriously, but plays their instruments well and takes care to deliver great songs despite their easy demeanor. Serving it up in style, this CD is for those who like their music fresh and new, but still want that Irish sound.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Wednesday, August 01, 2007.
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"Chrissy Crowley" by Chrissy Crowley

by Catherine L. Tully

Artist: Chrissy Crowley
Album: "Chrissy Crowley"
Year produced: 2007

If you love a terrific fiddle and are looking for a fresh face, check out this self-titled debut album by the talented Canadian musician Chrissy Crowley. At 9 tracks, it almost seems too short, but she manages to pack each song full of sound, so it does leave one fairly satisfied, if a bit hungry for more.

Evidently the fact that Chrissy became a fiddler was not much of a shock to her family, as she had grandparents that created recordings of their playing which both inspired and instructed the young lady in the finer points of this musical instrument. When you listen to her you'd be pretty shocked to find out that she is a member of the "under 20" set, as she has studied hard and become quite good in a short amount of time; and she is primarily self-taught too.

The fiddle is the star of the show here and other instruments are only around to support Crowley's play--which is a good way to go. Tracks such as "Dodging Potholes" show off this lady's skill as she executes some pretty difficult moves with her bow; a pleasure to hear her soar through. Should be interesting to see what is next for her--good to begin with--she can only get better from here! There's nothing like new talent on the horizon...



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Wednesday, August 01, 2007.
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"Zephyr In The Confetti Factory" by Jamie Laval & Ashley Broder

by Catherine L. Tully

Artist: Jamie Laval & Ashley Broder
Album: "Zephyr In The Confetti Factory"
Year produced: 2007

Ahh, innovation! Taking traditional fiddle music and exploring it a bit is what Zephyr in the Confetti Factory is all about. Not cluttered with instruments, this CD really highlights the sounds of the fiddle themselves. You'll hear bluegrass influence here and there, as well as some ethnic styling, but always understated enough that the Celtic shines through.

The recent pairing of these two musicians is a celebration of style and talent. Broder, winner of the 2003 and 2004 Western Open Master Picker Championships, plays side by side with Laval who took the 2002 National Scottish Fiddle Championship. The technique itself is plenty to enjoy from these master musicians, made more interesting by their willingness to explore a bit and play outside the "box."

Although a relatively short CD at 9 tracks, listeners will feel satisfied when they come to the close of the album as so much skilled playing is packed into the album. For those who want to see what the fiddle can do--give track 6, Old Man Elzic a listen. Not too experimental, but pushing boundaries this CD is as interesting as it is enjoyable.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, July 21, 2007.
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"The Celtic Harp" by Mark Davies

by Catherine L. Tully

Artist: Mark Davies
Album: "The Celtic Harp"
Year produced: 2004

Starting out with a medley of beautifully played harp music (Greensleeves, Scarborough Fair and Robin Hood), the first track on Mark Davies' CD, The Celtic Harp, sets the mood for the rest of the album. Pretty sounds call out from his fingers and give a dreamy atmosphere to many of the tracks here--very pleasing. Even though the only instrument featured here is harp, the musical arrangements are varied enough to keep one from getting lulled too much by the gentle sounds produced. Davies plays on Celtic harps that he crafted and created himself--an interesting side-note to keep in mind as you listen.

A Sydney Australia native, Davies has been a performer for over twenty years, and it is evident here as you listen to him play. All the selections are expertly crafted with a wistful, yearning sound. This music is relaxing in a way that is thoughtful rather than meditative and even the more upbeat tracks, such as track 3, Iona, are relaxing. There is nothing "muddy" about Davies' playing style--the notes are clean and sure.

Fans of the harp will easily find themselves enjoying this 10-track CD. The Celtic influence is here, but delivered with gentle care by this musician's fingertips. A standout track is The Seventh Ribbon, which has a wistful current running throughout. The last track has some lower tones to it for a lovely finish to a great collection of harp music.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, July 21, 2007.
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"The Bardic Wyrd" by Jenneth Tollin

by Catherine L. Tully

Artist: Jenneth Tollin
Album: "The Bardic Wyrd"
Year produced: 2007

Jenneth Tollin's soulful voice echoes gently on the very first track here--a preview of what's to come on this relaxing and artistic album. The deep moaning of strings is sometimes paired with Tollin's voice and with the hopeful sounds of the harp, making for an interesting juxtaposition of mood and emotion.

The vocals are very expressive--and Tollin has the Celtic sound down pat. The the music itself can playfully tip-toe outside the genre a little bit. The instrumental arrangements keep things interesting on the CD, particularly evident on track 4, "The Witches Dance." With the absence of Tollin's voice, the music is exposed, yet stands alone well enough to be enjoyable--although not as much as the tracks where Tollin sings.

Songs like "Black Is The Color" find the sound of the vocals wrapping you up softly--it makes you want nothing more than to close your eyes and listen to her sing. Indulge yourself. "Lament for White Wave" is also a track that is not to be missed here.

At 15 tracks, this CD weighs in on the long side, but you are never sorry that it keeps on going. Tollin has managed to do her own thing here--not comparable to many artists that lend this dreamy mood to their music such as Enya or Lorena McKennitt. All her own sound, the music doesn't follow a "new age" patterning very often, but rather blends, ebbs and flows with the vocals. Very nice.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, July 21, 2007.
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"Alexandra" by Larkin

by Catherine L. Tully

Artist: Larkin
Album: "Alexandra"
Year produced: 2007

In the tradition of punk/Celtic/Shane McGowan style music, here is Larkin's "Alexandra," offering up energetic craziness for all--too bad there isn't more of it! With only seven tracks, you really just get going and then it all comes to an end! The vocals are perfect--appropriately gritty and rough, but on-key and entertaining.

Track 3, the title track, whips itself up into a mad frenzy of fiddling--personally my favorite track on the CD. You have to get a kick out of titles like "Johnson's Motorcar" and "Faith of a Felon," and while humor may not be the outright goal here, it is present and accounted for.

Punk-styled Celtic music's main characteristic may well be a feeling of ongoing energy--at least it is one of the benchmarks it is judged by. This CD definitely has plenty to go 'round--and 'round again. For those who enjoy this genre of Celtic music, this is a no-brainer choice. It is a mood-lifting jumble of instrumentation, capped off by vocals that are belted out with enthusiasm. If you get on for the ride here, be ready--it's a whirlwind!



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, July 21, 2007.
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"Irish Coffee" by Cady Finlayson

by Catherine L. Tully

Artist: Cady Finlayson
Album: "Irish Coffee"
Year produced: 2007

Always a pleasure to listen to, expert fiddle-player Cady Finlayson is at her best on her latest CD, "Irish Coffee." Packed full with 19 tracks, there is a tasty plateful of music for the ears here to devour. Finlayson offers a variety of tunes, ranging from the sprightly--to the longing sounds that can only be called forth from the strings.

Although squarely within the Irish music genre, there is always a bit of blending going on with this talented musician. Like a good cook, she adds flavor--from American folk influences to worldbeat rhythms, simmering through traditional sounds like good spices. Finlayson never overdoes it, but manages to seamlessly marry the sounds with a natural flair. It is in this way that she continues to, with the help of her very skilled band, create for the listener her particular tradition of sound and mood.

It's too hard to pick favorites out of this mixture of songs, each has something to offer and all are expertly played. Finlayson wrote some of these tunes herself, based on her time at jury duty, her brother's cooking and the neighborhood she lives in, so you can explore life with her a bit through the songs written from her experiences. "Irish Coffee" shows that even a musician who is already adept can learn and grow, and you see that here in this display of her latest ideas and her polished skill on the fiddle.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Monday, May 21, 2007.
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"Rant, Rave, Lose Pants" by Ceann

by Catherine L. Tully

Artist: Ceann
Album: "Rant, Rave, Lose Pants"
Year produced: 2007

(If the title of the CD doesn't give you an idea of what is in store...read on...)

Rant, Rave, Lose Pants is an Irish rock CD with a sense of humor and it has all the fun and charm of "Almost Irish," the bands last release. Think Irish music in a great, easy rock style with much more than a pinch of clever lyrics. The pacing and feel are reminiscent of the band "They Might Be Giants," but with an Irish feel and more style and energy.

Songs like "Pretty On The Inside" or "Last One Standing" will bring a chuckle as well as a catchy musical arrangement--a super combination! Even the names of some of the tracks will make you smirk--such as "Pittsburg Makes Me Drunk." You should know that these guys aren't worried about making everybody happy, but they are about having a good time--so if you are a conservative type--you might want to check out another CD. The musicianship is first rate, and the band is fond of a good, strong rhythm--paramount in any well-done Irish rock compilation. The momentum is there for your listening pleasure.

This is a snappy, peppy album and will lighten your load on a rough day. Unlike some bands who are content to amuse, Ceann also delivers on the music end of things, making them all the more appealing. Oh, and are they Irish-American or American-Irish? They have solved the dispute by labeling themselves, and it suits them--just call them "Yankee-Irish" please. Check this CD out--its sure to make your day.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, May 19, 2007.
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"Spirit Of Albion" by Damh the Bard

by Catherine L. Tully

Artist: Damh the Bard
Album: "Spirit Of Albion"
Year produced: 2006

A modern-day Bard with depth and a way around a story, every track on this CD has layers and an interesting complexity woven throughout the lyrics. The music here is a simple but steady accompaniment to the tales told, and the sound of the vocals lend themselves to the emotion the words call forth.

Sometimes wistful, sometimes authoritative, this CD is definitely for the thinkers out there. The lyrics are carefully crafted and whir and spin, curling themselves around the music, encouraging the listener to enjoy, learn and feel. Whether talking about a Goddess, reflecting a traditional Folk song or sharing a myth of old, the songs all have the feel that the mood was set carefully and deliberately by the Bard.

The album is a celebration of the island of Albion and a way to honor the ancient Spirit of Britain. Songs such as "Domeanna," a traditional Folk tune from Sussex, have such a lovely flow to them and the vocals are such that the voice becomes instrument. The gentleness of the music in most tracks helps to underscore the intensity of the lyrics without fading away into the background entirely. A well-done arrangement on each and every track. Those who love a good story in a song will truly enjoy this CD.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, May 19, 2007.
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"Never Drift Apart" by Maireid Sullivan

by Catherine L. Tully

Artist: Maireid Sullivan
Album: "Never Drift Apart"
Year produced: 2003

Ohhh, it's soooo pretty! The dreamy echoes of Sullivan's music and her yearning to connect with her listeners are all simply marvelous right off the bat with the first track here--which is also the title track, "Never Drift Apart." This CD nearly fits into the Celtic "new-age" genre, but allows its boundaries to flow to and fro, depending on the mood of the tune so it isn't exactly a neat box within which to place the songs. Her sound doesn't categorize easily--you can't compare her to Enya or McKennitt, because she doesn't sound like either, but she is just as captivating. A truly unique vocal artist.

Interestingly, Sullivan also does a lovely job of covering a variety of tunes here--adding her own stamp to them. You'll find Clapton's "River of Tears" and others, but she knows how to make them her own. The music you will find here is comforting and soul-soothing; music to meditate to or unwind with after an especially harrowing day. You can feel that Sullivan is a deep and thoughtful soul--it comes through clearly in the vocals and choice of songs on the CD.

Irish-born and the daughter of a tenor, Sullivan has also lived in the United States and Australia, where she currently resides. The vocalist avows an avid interest in Celtic history and is also a poet and writer. You won't find anything jarring or too energizing here--this is a CD to renew and refresh yourself, not one to get your feet moving. You can tell that each track is carefully crafted, and some have such depth as to almost sound like a hymn. Really, this is an outstanding and moving CD--one with presence.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, April 26, 2007.
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"Far From The Hills of Donegal" by Oisin McAuley

by Catherine L. Tully

Artist: Oisin McAuley
Album: "Far From The Hills of Donegal"
Year produced: 2007

What do you get when you take a lead fiddler from a group like Danú and give him center stage and full reign? You get "Far From The Hills of Donegal," a 13-track CD packed full of top notch fiddle playing! In his solo debut, Oisín McAuley crisply outlines every sound that comes forth from his chosen instrument and it is truly a joy to listen to his considerable skill as he zips around the melodies. Far from limited to a virtuoso style, however, he is also able to call forth haunting, yearning sounds from his strings.

McAuley has been at the helm of the fiddle since he was nine years old, and if you need proof, just hit play... he dives right in with zeal from the first track. While the music on this CD fits squarely within the rather broad definition of traditional, it also "tip-toes" across the boundaries and steps out of itself here and there. It seems when musicians reach a certain level of mastery, they bring something extra to the sound that only they hear in the music--their art. You'll definitely hear that type of sound on the tracks here.

McAuley has played music, studied music and taught it--making for a wide variety of experience that has no doubt flavored his style. His roots trace back to West Ireland, and that plays a role here in the tracks as well. Those expecting a CD full of reels will be disappointed, but if you want to hear the fiddle stretch and reach and become something more than you typically hear--this is the CD for it.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Tuesday, April 24, 2007.
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"Irish Drinking Songs: The Cat Lover's Companion" by Marc Gunn

by Catherine L. Tully

Artist: Marc Gunn & The Dubliners' Tabby Cats
Album: "Irish Drinking Songs: The Cat Lover's Companion"
Year produced: 2007

Marc Gunn delivers--with a follow up! This "companion" CD is designed to accompany the original--Irish Drinking Songs for Cat Lovers, so that you can fully appreciate the play on words "feline-style!" The fun part here is to listen to and consider the original lyrics, and then see what was done to include the kitties...

You'll hear "Lord of the Dance" (Lord of the Pounce), "When Irish Eyes Are Smiling" (When Kitty Eyes Are Smiling) and "Black Velvet Band" (Black Kitty Paw) among many others and the comparison is quite an enjoyable "exercise!" There is nothing quite like hearing the original version and then playing the parody--it just makes it far more amusing... and you just may hear a little "meow" here and there too!

Gunn is his usual, likeable, enjoyable self on this CD, with the simple arrangements and terrific, laid-back yet energetic style he has become known for. Autoharp and guitar back the vocals and the mood here is light and fun. A joint effort between producer Ari Koinuma and Gunn, this is a great CD to own for the grouping and selection of solid Irish favorites--even if you happen to be a dog lover!



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Tuesday, April 24, 2007.
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"Safe Home" by Round The House

by Catherine L. Tully

Artist: Round The House
Album: "Safe Home"
Year produced: 2007

Traditional Irish music here, yes, and a lot of it too! Round The House has been doing this for almost ten years, and this solidly done, long 15-track CD gives a lot of variety as well as great musicianship and energy. You'll hear vocal music, (although not all of it in English, which is a nice touch), instrumentals and even a contra dance set--for they are also a contra dance band!

This grouping of songs has a real mixture--you'll hear reels, a march and of course a jig--mixed with vocal tracks and some really well done instrumental work. The drum thump totally resonates and adds a "heartbeat" to the music often; it's lovely when this is highlighted like it is here in several songs. Always a shame to relegate it to the background as a mere force for keeping time--it's more than that.

The band does a stellar job at focusing on instruments and showing them off, sounds rising, then falling as another takes the center stage. It makes the mix of tracks quite eclectic in terms of feel. The band doesn't really pin itself down to one sound per se musically, preferring instead to let each track highlight various musicians or vocals. Lovely.

Particularly enjoyable were track 2, "Rory Og McRory," and the contra dance set which really lit things up, swirling and whirling its way through the set like their very lives depended on it.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, April 12, 2007.
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"Got Blarnacles" by Blarnacles

by Catherine L. Tully

Artist: The Blarnacles
Album: "Got Blarnacles?"
Year produced: 2006

This acoustic Celtic folk band from the Cincinnati area delivers a nice song grouping here on "Got Blarnacles." The group's unusual name is actually a hybrid, mixing "blarney" and "barnacles" for a fun and catchy title. It reflects the group well--thoughtful, yet not too serious. They seem to like taking it light.

You'll most likely find this group a bit eclectic, with a strong underlying Bluegrass influence that manages to keep things interesting without hijacking the CD. Still a rather young group (around since November, 2004), don't mistake their lack of time playing together as a group for them being novice players--at least two of the members go back about 25 years as musicians, and between them all, there are more instruments than one wants to count that they can play.

The CD can really be described as "easy on the nerves," so those looking for something with a soothing, yet not boring sound will really take to the songs here. Although the Celtic sound is there, you don't get that overriding, thumping "gotta get up and dance" energy that one expects from a reel or other traditional favorites. This album is more of a "kick back and unwind after a day that beat the pulp out of you" kind of compilation. (Note--not slow--just easy!) Pleasant, amusing and nice and long--15 tracks to unwind to and enjoy into the evening....

A couple amusing songs are tossed in to bring a grin....such as track 3, "The Stuttering Lovers," and track 7, "Dear Boss," which both are sans instruments, but cute little tunes nonetheless. Enjoy this CD--that is what it was made for--you can just tell.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, April 06, 2007.
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"Last Call" by Bruno's Boys

by Catherine L. Tully

Artist: Bruno's Boys
Album: "Last Call" by Bruno's Boys
Year produced: 2006

This is an absolutely charming collection of great Irish tunes, and Bruno's Boys do them justice, performing with flair and energy. What will you hear? Just two guys playing their hearts out and having a great time--Paul Bruno on guitar, accordion and bodhran and Derek Wade on mandolin and harmonica. And they do just fine--all on their own.

The guys sing the songs together, which is great--it adds a real bit of pep to the sound. The combination of the two voices is really what makes this CD terrific, instead of just a good bunch of songs--it's as if they pick energy up from one another and continue to cycle it throughout the entire song. (Oh--and the harmonica--can't forget the harmonica, a simply wonderful addition!)

The album begins with "Whiskey You're the Devil" and ends with "Whiskey is the Life of Man," a rather appropriate sandwiching of things all things considered. In-between those two songs other tunes here include some favorites such as "Drunken Sailor," "Finnegan's Wake" and "Black Velvet Band," all done quite well. This is the band's second CD, and there is a third in the making....and if this one is any indication....it will be one to look forward to!



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, March 16, 2007.
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"We Never Got This Far Alone" by Homeland

by Catherine L. Tully

Artist: Homeland
Album: "We Never Got This Far Alone"
Year produced: 2005

The fact that this band has shared the stage with musical giants such as Black 47, Flogging Molly, The Prodigals and Gaelic Storm gives the first clue that Homeland might be a real Celtic rock contender--and "We Never Got This Far Alone" does not disappoint that hope. Often hailed as a fusion of "new rock and old Celtic," this is a band that is not quite that easily categorized.

Each band member contributes considerably to the mix here and it pays off big. Lead vocalist Scott McGillivray has the gutsy voice of a rocker, needed to lead out songs that beg for that kind of command such as track 3, "The Descent." He nails it--and the guitar screams beside his vocals, providing excitement to the song as well. Truth be told, the cry of Ric Smith's fiddle is really as much of a presence as if it were another person singing--especially on track 1, "Heros Dead," where it fits beautifully and sounds amazing. The musical arrangements here are intriguing, far from typical, and full of life--and none of it would be complete without the bass sounds of Rob Koogler or the expert drum work of Jeremy Washburn.

Fans of Celtic rock that are really wanting to check out something fresh should pick this CD up. Between the talents of the band, the skilled musical arrangements and the polished sound, it is a real winner.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, March 16, 2007.
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"Four Aflame" by Maidens IV

by Catherine L. Tully

Artist: Maidens IV
Album: "Four Aflame"
Year produced: 2006

Four-part harmony.....and......four sisters! Maidens IV is made up of Havilah, Heather, Abigail and Tabitha. Originally a duo of two sisters named, you guessed it, Maidens II, the sisters have all joined forces and combined their considerable talents to bring out the best in the Celtic and Folk style music that they play.

An explosion of strings greets the ears with the first track on the CD which jumps right in, highlighting the considerable talent of the musicians. Next, on "Lark In The Morning" you begin to hear the pretty harmonies these ladies can form together as they hop and skip their way through a complex and lovely song.

Their last CD, "Charm and Fire" (Maidens III) showed the ladies to have mastered the instruments they play, and now they are tackling even more complex arrangements--truly an amazing whirl of sounds and rhythms here, and each track has something unique to offer.

The voices, although still sweet and youthful, have a new maturity to them that brings an added dimension to the sounds they bring forth. Please don't miss track 11, "Fiddlers Magic," for the obvious reason....although, in truth, you don't need to get that far into the CD to note the skill these ladies play with. The title of the album really brings to life what is going on here--"Four Aflame"--for the fire can be heard in the instruments that these lovely ladies command.

If you know anything about music--this CD will blow you away. And even if you don't--it's still a darn good listen! These ladies are a favorite of mine.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, March 16, 2007.
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"Honk Toot Suite" by Eamonn Coyne and Kris Drever

by Catherine L. Tully

Artist: Eamonn Coyne and Kris Drever
Album: "Honk Toot Suite" by Eamonn Coyne and Kris Drever
Year produced: 2007

Banjo and guitar are combined here to form the backbone of an 11-track whirling tour through the variety of acoustic Celtic sounds produced by these instruments. The perky mood of the banjo gives a truly toe-tappin, head bobbin feel to the music. When you get two individuals together that play well on their own the result is often good, but the fact that both these instruments are strings makes for a wonderfully harmonious blending of skills and a complimentary feel to the musical arrangements.

The CD mixes in acoustic tracks with some that have vocals for variety. In addition, the lineup of music features one instrument, then the other and sometimes blends the two--great--since it seems as though you get a good taste of the backgrounds and influences of each musician. It's a sort of combo-style with influences throughout that include Irish and Scottish, making for even more of an eclectic blend.

The song that points out that "combo style" of the two instruments and players the best is probably the last one, and the CDs namesake, "Honk Toot Suite." Back and forth the musicians go, building momentum and collecting energy all the while to a climactic and terrific finish.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, March 15, 2007.
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"Tales Through Time" by Rowan

by Catherine L. Tully

Artist: Rowan
Album: "Tales Through Time"
Year produced: 2007

Singer Marianne Payette Carter's gorgeous voice opens this CD, and it as though you can hear through her singing that she is well traveled--which she is--having been to Morocco, Ireland, Bali, North Africa and India, among other countries. The deepness of her vocals lend an air of authority to the lyrics she sings without being pushy or overbearing about it. She is one of the things that stands out the most about this CD, although fellow musicians Doug Harvey and Lance Zed certainly can--and do--hold their own.

You can hear a definite "World Music" flavor in many of the musical tracks that are presented here, although it stays well within its Celtic roots overall. Here and there you'll hear a whisper of European folk--which is welcomed into the song without apology and, most often, goes as quickly as it came. It adds a different and surprising touch to the tracks where it appears.

Something interesting about this band is that their personality shows through the music and holds your attention as much as the music itself. You feel as though you are hearing a little bit of their inner selves here somehow--and it's that personal touch that sets their music apart as much as the peppering of other influences that arrive from time to time. Part of it is the subject matter they have chosen to sing about, as they have picked songs with lyrics that speak to the heart and highlight the human experience in all its complexity. With a layering of emotions throughout, this CD is a thoughtful compilation.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, March 15, 2007.
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"One Lump Or Two" by The Tea Merchants

by Catherine L. Tully

Artist: The Tea Merchants
Album: "One Lump Or Two"
Year produced: 2007

Way back when, I reviewed the Tea Merchants self-titled CD and my one complaint was that there weren't enough tracks. Well, with their latest 12-track effort, "One Lump Or Two," I am proud to say that the fine gentlemen from Austin have remedied that. And--these guys have succeeded in putting out another great album as well.

Don't miss track 4--"Led Zeppelin Polkas." Yes, you heard it right--if you didn't know that you could do Zeppelin Celtic-style, you do now! These guys really seem to enjoy throwing the unexpected at their listeners--which definitely is a good thing, not a bad one--and polkas are quickly becoming their chosen method of delivery for the unusual! There is plenty of the traditional fare to enjoy here too, and you'll find reels and a hornpipe are also present to satisfy the appetite.

The light-heartedness of the band's approach may have you thinking that they can't play, but if that is an assumption you have made, you are quite mistaken. This CD, just released (March '07) by the recent World Music winners of the Austin Music Awards, is sounding quite professional and was cut in a recording studio, which really shows. As on their debut CD, the 3 members of this band crank out great sound. Nary a complaint from me this time around--just good music--and plenty of it!



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, March 15, 2007.
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"Celtic Blessings" by Celeste Howard

by Catherine L. Tully

Artist: Celeste Howard
Album: "Celtic Blessings"
Year produced: 2006

Starting out in music early--at the age of six in Los Angeles--Celeste Howard Ray's love for her chosen art shows through on her latest effort, Celtic Blessings. In this 12-track CD, her voice changes and shifts throughout. At times it sounds like something you would hear in a Broadway production, while at others it is soft and delicate, invoking emotion and having a "dream-like" quality. Some well-done harmonies round out the mix here as well.

Celeste has a degree in performance and plenty of practical experience in music, including a 6-month tour of Australia and a performance at the famed Carnegie Hall. Currently a resident of New York, she also teaches when she isn't on the road. She has released several other CDs, with Celtic Blessings being her most recent.

This CD features both traditional and original songs, and was inspired by Celtic poems. While this is not a classical or jazz album, Celeste's background and training in both have no doubt influenced the arrangements on this CD. Particularly refreshing is the use of the ancient-styled Bowed Psaltery, which is played here and adds a nice touch.

The piano on track five, "Blessing For A Long Journey Home" was gentle and the music on that track was especially "other worldly" and enjoyable. Followed with the Loreena McKennitt-like next track, it truly transports. And just when you thought you had heard one too many versions and interpretations of "Greensleeves," here comes one worth listening to...



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Wednesday, March 14, 2007.
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"Everybody" by Rathkeltair

by Catherine L. Tully

Artist: Rathkeltair
Album: "Everybody"
Year produced: 2006

This popular band debuted in 2003 and has been engaging audiences ever since. From the Celtic lead in on the first track on "Everybody" to the mix of instruments, this band is one that truly fuses rock with Celtic sound for something that is altogether their own. Sometimes their style is referred to as "Celtic Rock Jam Fusion," but it is truly the rhythm that captures you and stands out strong in the songs included here on this CD.

A perfect example are the staccato sounds that pump and punctuate throughout track 2, "Night Visit/Brenda Stubbert's Reel. Full of Celtic sound, it transforms in the middle of the song and morphs into a true stew of musical styles. One fades and in another comes to take its place, but it is never forced.

Somehow this band makes it seem like whatever is going on musically is the most natural thing on earth, even though this is something many long-time bands in the genre never manage to achieve. The pipes are expertly played in the hands of Neil Anderson; former member of the band "Seven Nations" along with fellow Rathkeltair band member Nick Watson, who plays drums and the tin whistle.

If you are a Celtic rock lover--this is not the CD to pass on--it's just the right mixture of songs and sounds. Truly groundbreaking--this award-winning band is really something to hear. Have a listen. Make yourself happy.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Wednesday, March 14, 2007.
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"Live At The Grange" by MojoKelt

by Catherine L. Tully

Artist: MojoKelt
Album: "Live At The Grange"
Year produced: 2006

A pretty dang new band, only formed in January of 2006, MojoKelt is off to a good start with "Live At The Grange." It's funny--when you look at Celtic bands that are new--it isn't anything like looking at new bands in other styles of music; and this one is no exception. Many Celtic musicians are former session players, such as MojoKelt's Tom Watson, or have been playing traditional music for many, many years, such as the band's champion Uilleann pipe player, Paul McKernan. While there may be amateur musicians out there in the field, you aren't going to find them here. Not in this band.

Branded "Rock n' Folk n' Roll," their sound fits the description, but in a typically traditional Irish way. The pipes really are a signature sound here, and the entire CD has a "small venue" feel that is refreshingly not over-processed. Close your eyes and you can believe you're at the pub listening to them.

Don't miss track 3's, "The Kesh Set" here, an absolute jam. Not one bad track in the bunch on this CD. The band favors an upbeat tempo, which is especially "sprightly" in many of the songs. There are a few notable exceptions, such as track 6, "She Wore Black" which almost starts with the feel of a slower pop rock song--different and rather attention-grabbing considering the flavor of the other pieces here.

Also in the same vein is the last track on the CD, "The Walker," an easy tune with simple lyrics that work well in tandem with the subtle accompaniment. A little slice of life piece to wrap things up.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Wednesday, March 14, 2007.
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"Victims Of Irish Music" by Marc Gunn's Irish & Celtic Music Podcast

by Catherine L. Tully

Artist: Various Artists/Marc Gunn's Irish & Celtic Music Podcast
Album: "Victims Of Irish Music"
Year produced: 2007

With a name that is just too cool, Marc Gunn has put together a stellar compilation album of music from his Irish & Celtic music podcast. This all-instrumental grouping features names such as Cady Finlayson, The Tea Merchants and Culann's Hounds on its musically-packed 17 tracks, and is a great highlight of some of the outstanding artists he has come across on the Celtic music scene.

Many of the names here will be familiar to Gunn's listeners, and "Old Grey Cat" is also included here from his work with The Dubliners' Tabby Cats, off the popular CD "Irish Drinking Songs For Cat Lovers." The selections are varied, but all feature this style of music at its very best, from the delicate harp music of Thomas "Doc" Grauzer to the all-out energy provided by The Wild Clover Band on the first track here.

Grauzer had a roundabout hand in the naming of this CD, as he lent Gunn the book that contained the phrase, "victims of Irish music." The words referred to the failed attempt of the British to stomp out traditional music in Ireland. We all know that cannot and will not ever happen....

Listeners are in for a real experience here--there is fun, there is folly and there is beauty. It's nice to have all these artists together on one CD, and a good sampler disc for the uninitiated--or for those who just can't decide on one!



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Tuesday, February 27, 2007.
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"Weave" by Mary Knickle

by Catherine L. Tully

Artist: Mary Knickle
Album: "Weave"
Year produced: 2006

"Weave" starts out with a powerful jolt--and jumps right into the mix of things. Track 1, "Weave" introduces Knickle's voice, which is commanding, skilled and powerful. Her vocal range pulls and pushes you through the song with excitement and sets the bar high for the rest of this CD. The interesting thing about this album however, is that the music is incredibly strong as well, making for a very intense combination of talents.

Passionate is a good way to describe these songs, and her voice, for that current runs throughout.While the slower tunes are enjoyable, Knickle also has a talent is for bringing out the energy of the music in a way that is uncommon and palpable. The slower music hints sometimes at a Kate Bush-like sound, but Knickle's voice is much more direct. Harmony, such as in track 6, "Tarry," soften it nicely, adding another dimension to the sound quality. When her voice is by itself, as in "Like The Heather," it can have an almost birdlike quality to it--very different.

Knickle reveals her love of story throughout this effort, as she loops and threads you through each track. Starting with "Weave" makes one hopeful for another high-energy song on the CD like it. In order to get that, however, you must wait until the end, where "Wild Irish Man" does so with a combination of vocals and racing music, capping off the album in an ultimately satisfying manner.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, January 27, 2007.
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"If I Should Fall From Grace With God" by The Pogues

by Catherine L. Tully

Artist: The Pogues
Album: "If I Should Fall From Grace With God"
Year produced: 2006

Truly, it is hard to get yourself into more "fun" than The Pogues dish out on an album, and "If I Should Fall From Grace With God" is no exception. "Turkish Song of the Damned" is an all-time favorite of mine with its whirling, swirling middle-eastern, yet somehow still Celtic vibe. Funky, punky and yet unmistakably Irish, you'll forgive the fact that you can't understand much of the lyrics for the reason that the energy and drive of this CD will more than keep you involved.

You'll probably chuckle and want to share the songs with others--that's just what happens when you have a Pogues CD. Beware though--you can wind up tired if you aren't ready for the romp! One track that really stands out is the "Fairytale of New York" with guest vocalist Kristy McColl, which only adds to the appeal of this album.

I once heard The Pogues described as "explosive," and it really worked for me as a way to describe their music. The sound is truly one-of-a-kind, although there have been many influenced by their own peculiar stew of musical styling. If you have not yet heard this band, this CD is a terrific first listen, as every song is stellar. "Metropolis" is a crazy, whirlwind ride, "Fiesta" teases you into thinking it will be a disappointment (but then delivers!), and "Worms" will just plain crack you up with its brief appearance. A must have for Pogues fans and a great intro for the uninitiated.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, January 27, 2007.
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"A Pocket Full Of Lint" by Kennedy's Kitchen

by Catherine L. Tully

Artist: Kennedy's Kitchen
Album: "A Pocket Full Of Lint"
Year produced: 2006

Wow! From the drum-thumping that begins this CD, to the velvety-smooth harmonies to the willowy whisper and flighty dancing around of the flute, this CD is a lovely one all the way through. This Midwestern band seems to have figured out a recipe that works!

Fans of a throaty drum beat and perky flute will be thrilled to listen to this album, as they are used and highlighted quite well here. There is also some fine (if somewhat unexpected) guitar work on the title track that catches the ear by surprise. It is a really fabulous track that you could really say sums up the work this band does quite well. The only thing missing from it are vocals--but those are front and center on other tracks throughout...

One such example is track 2, "The Life Of A Country Boy" which is skilled vocal harmony at its very best--one of those songs that you can play again and again and never tire of, and probably my favorite on the album. Back again a bit later on the CD, the harmonies on "The Jug of Punch" are also top notch.

This is the band's third album, following their 2004 release, "Music in The Glen" and their self-titled debut in 2003. While this effort is well within the traditional range--there are a few pleasant surprises here and there that set it apart from being just another Celtic CD.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, January 27, 2007.
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"Waddles from the Sea" by NeidFyre

by Catherine L. Tully

Artist: NeidFyre
Album: "Waddles from the Sea"
Year produced: 2006

If you love the sounds that can be called forth from the fiddle, then this CD is a good choice. Mel Ginsberg-Stevens is NeidFyre, and the name is taken from the Old English--a word for ceremonial fire that is generated by the friction produced from two pieces of wood. She states, "I read that and the first image I saw was a bow furiously running across the strings of a violin in a jig or reel..."

Mel is no novice, having played the violin since she was 4 years old--and you can tell--she makes it dance. This CD is a collection of not only traditional Celtic, but also Russian folk music, making for a rich tapestry of sound throughout. The Russian songs actually fit nicely with the Celtic, and although it is perhaps an unconventional choice, it is interesting to note the similarities and differences as one listens to the songs.

Some tracks use vocals, but many are instrumental here as well, allowing for full concentration on the music. Her voice is interesting, full and almost commanding, very different than the stereotypical Celtic female singer, but in a good way. She isn't shy about serving up a nice helping of music either; the album runs 17 full tracks long. There is a nice mixture of music; some soft, some energetic and some, well, just good ol' fun!

Mel chooses to end on a fun note with "What Do You Do With A Drunken Duc," guaranteed to make you grin with the visuals you'll get as she delivers the lyrics. This is really an enjoyable grouping of tunes, especially for fans of the fiddle.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Marc Gunn's Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Saturday, January 20, 2007.
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"Ockham's Razor" by Ockham's Razor

by Catherine L. Tully

Artist: Ockham's Razor
Album: "Ockham's Razor"
Year produced: 2006

This group is brand new, forming only in 2006, and has wasted no time in honing a sound that works. They have also branded themselves with a name that is both clever, and unlikely to be forgotten. For those who aren't familiar, a Franciscan living at the turn of the fourteenth century, William of Ockham, is associated with this idea that states, "entities are not to be multiplied beyond necessity," -- an admonition to remember to keep things simple. With 8, well done tracks, this band attempts to--and succeeds--in doing just that. Track 3's title is a perfect example, "I Drink," which is, you guessed it, a drinking song!

Don't make the mistake of thinking that simplicity means that this effort is pedestrian and basic, however. Track 4, "My Lagan Love" is sung with more heart than the most complex of songs out there and is quite different in its arrangement with a quick undercurrent of music paired with slower, melodic vocals for an interesting--and arresting contrast. Sometimes simple is a good thing.

Track 6, "A Face, An Echo" was commissioned for an independent film, which seems to come as no surprise whatsoever upon hearing it--it has that feeling to it. The simplest track, an a cappella version of the Irish classic, "Danny Boy" is an interesting ending to this album. Although the vocalist strains somewhat to hit the challenging notes of this song--he rises to the occasion with emotion--which is how it simply must be sung.

Although the songs on this CD are all different from each other, rather than being disjointed, you get the feeling instead that you are getting a sampling of the band. It will be interesting to see the direction that they take with their next effort and where that leads them from here.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Friday, January 19, 2007.
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"After The Morning" by Cara Dillon

by Catherine L. Tully

Artist: Cara Dillon
Album: "After The Morning"
Year produced: 2006

A Celtic folk album with a sweet side and a wide appeal aptly describes Cara Dillon's newest release, "After The Morning." Every track is immensely listenable here.

Even if you are not a big "folk" music fan, don't shy away from this CD--it isn't heavy duty, and at times might even have a more commercial range than devoted folk fans might like. This actually widens the appeal and the audience for Dillon's music. A bit different than her self-titled effort and that of her last CD, "Sweet Liberty," this album will find some Dillon fans disappointed at her going out of her typical style, but will please others for not limiting her talents.

Cara Dillon's voice is crystal clear and angelic--but not in an Enya way--it isn't "dreamy" but it IS pretty. There is a freshness and innocence about it that is refreshing. She's pretty, her voice is pretty, the songs are pretty...and the music is pretty. It's a win any way you look at it!

Particularly enjoyable was her version of "Health To The Company" and also "The Streets of Derry" where the male vocals contrast to make Dillon's all the more gentle and pure. It is a beautiful track--music providing the perfect backdrop for both singers to share.

This Irish-born singer has her homeland and her music woven through the very fabric of her being, singing in her first band at the age of 15. Such a long career reflects in the sureness with which Dillon sings; and she never wavers. Anyone who just adores listening to a beautiful voice should enjoy "After The Morning." After all, her lovely vocals are the very centerpiece of this CD.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, January 11, 2007.
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"This Land" by Kinfolk

by Catherine L. Tully

Artist: Kinfolk
Album: "This Land"
Year produced: 2006

This duo (Brian McDaid and Gerry Power) has joined together for their debut album, "This Land" and have managed to merge their musical experiences into a pleasant and fun CD. Both musicians have dabbled and experimented in different genres of music, and now have come back to the things that have remained there all along: folk and acoustic music.

Strongly influenced by their backgrounds in Irish, Scottish and English folk music, they have brought these markings to this CD. Most tracks have a light feel to them and although there is definitely the mark of traditional music on some tunes, you'll also find a contemporary influence has crept in sideways and made a place for itself. This keeps the album from settling into a predictable pattern,making each track a discovery.

Together since 2004, both McDaid and Power have played in a variety of bands before coming together to form Kinfolk. There is an ease in this duo that is most often present with those who have played together for a long time. Their voices blend seamlessly and the mood of most tracks is upbeat and peppy. Listen for the harmony done especially well--yet not overdone--on track 8, "Lady of the Isle."



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Thursday, January 11, 2007.
New to Celtic MP3s Music Magazine? Subscribe to this blog's feed. Or sign up to get email updates. Find free Celtic music downloads from Marc Gunn!



"An Ancient Muse" by Loreena McKennitt

by Catherine L. Tully

Artist: Loreena McKennitt
Album: "An Ancient Muse"
Year produced: 2006

Loreena McKennitt's voice gives you chills on this CD from its sheer beauty. She continues to stand out and show music fans why she has earned a reputation in the industry as an artist, for there is really nothing quite like her out there. Her last studio album was "The Book of Secrets," and after a ten-year wait, fans of McKennitt will not be disappointed.

An Ancient Muse has the "world music" feel that McKennitt is known for--branching out and exploring Middle Eastern themes, but retaining enough of her trademark sound and Celtic feel--you'll have no doubt that it is her. The arrangement of the CD keeps you from feeling too much of a lull, but this is music to listen to with your eyes closed--it takes you out of yourself. It makes you feel good.

Favorites include "Penelope's Song," the perfect vehicle for all of the strengths and nuances of McKennitt's voice, and you can't miss with lyrics from Sir Walter Scott on "The English Ladye and the Knight" which is also lovely. Unusual instruments make an appearance from time to time throughout the CD, such as the oud, duduk and nyckleharpe (a Swedish-keyed fiddle) to name a few, which make for interesting accents to the flow of her work--without interrupting it.

McKennitt doesn't seek to reinvent the wheel on this CD, instead she stays fairly square within the mood and style that she has become famous for--and that she does so very well. Her voice is still full of emotion and power, despite its lovely softness. For fans of her style or of her work, this CD will be welcomed and appreciated--especially after this long, long wait.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Wednesday, January 10, 2007.
New to Celtic MP3s Music Magazine? Subscribe to this blog's feed. Or sign up to get email updates. Find free Celtic music downloads from Marc Gunn!



"To Find the Missing Part" by Cele De

by Catherine L. Tully

Artist: Cele De
Album: "To Find the Missing Part"
Year produced: 2006

This young soft rock/Celtic band has an different and fresh sound. The band is made up of five people aged 17 through 20 and the youthful energy and outlook is reflected in their music. Their name choice is particularly interesting, for Cele De hails from Celtic roots--the name of a monastic order, meaning literally "Servants of God."

This is Cele De's third CD, following their 2003 release "Mist on the Mountain" and "Fresh" which was out in 2005. The band describes their style as being a mixture of pop, soft rock, jazz and a touch of bluegrass--all flavored with their Celtic roots. It makes for an interesting mixture. The 10-track CD has a good deal of variety, but not in an "experimental" way, just stylistically. The Celtic definitely does pop through, but isn't the overriding feel to the whole album.

For such a young group, they are surprisingly polished. The music is tight, well-played and interesting. The voices sound young, but are strong and sure of themselves. The addition of the cello on this album gives such richness to the sound, especially on track 6,"Introspectrum," which is an original--and beautiful song.



Catherine L. Tully is a freelance writer and photographer who specializes in the arts. She has written for American Style and Classical Singer, among others and reviews music for Celtic MP3s Music Magazine. You can reach her through her photography website at www.moonbeamdigital.com.

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Posted by Marc Gunn, Wednesday, January 10, 2007.
New to Celtic MP3s Music Magazine? Subscribe to this blog's feed. Or sign up to get email updates. Find free Celtic music downloads from Marc Gunn!



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